RedShark News

Magic Lantern crops up in some surprising places. Even in cameras that can't actually capture video

4K is really great with anamorphic lenses

Published in Production

The resolution of 4K sensors means that there's easily enough detail to work well with anamorphic lenses for those cinematic ultra-wide aspect ratios

The birth of a new class of video software. BulletProof: it's designed to be "the other half of your camera".  We interview its creator, Sean Safreed from Red Giant software

Canon’s IBC plans: Bigger, better & more 4K

Published in Business

Canon gears up to rock Amsterdam with its largest IBC presence ever, promising 4K studio presentations and plenty of touch-and-see time with its products. But why the fuss?

Canon is bringing out a wired remote controller for its Cinema EOS cameras, apparently as a result of user requests

New ARRI Amira - our in-depth first look

Published in Technology & Computing

Phil Rhodes takes an indepth first look at the new ARRI Amira

Speculation of a 4K video shooting, higher megapixel entry into the 5D Mark-series of full frame cameras has been fomenting since March, but the rumor mill is churning anew with a few more 'details', while a Canon exec confirms the company is indeed developing higher resolution models.

Ever wonder what a Canon 5D MK2, an NEX FS100 and a Blackmagic Cinema camera look like, side by side? Probably not because two of these are the old models and you'd more likely be thinking about a 5D MK3, an NEX FS700 and the Blackmagic camera. But that doesn't make this any less interesting

Codex boldly takes its 4K recording system, paired with a Canon C500, where it has never gone before, for a 12 month tour of duty in orbit around the Earth.

Seeing Red

Published in Business

There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK.  For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.

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