Most of us despair when we see technology and science presented to a non-technical audience on TV. It's not easy to explain stuff in the short time available, but often it's over-simplified to the point of being nonsensical. So how does a national UK broadcaster deal with the topic of 4K?
We can't help being fascinated when people try to use very old techniques with very new technology, and here's a case in point
Developments in the field of magic lantern raw video continue to grow with news that developers have managed to get raw video support up and running on the Canon 50D, a 5 year old camera that predates the Canon 5D Mark II and which shipped without any video capability at all!
The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?
Canon has announced the release of the worlds smallest and lightest DSLR camera which, in America, will go by the name of the Rebel SL1 and in Europe as the EOS 100D
Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?
With video cameras now sporting 4K video - that's the equivalent of 8 Megapixels, each frame is capable of looking like a pretty decent still photograph. This means that not only can you grab high quality frames from video to use in still image media, it might actually be the best way in the future to do still photography, because you will have a wonderful, 24 or even 60 frames per second to choose your stills from