We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD
We can't help being fascinated when people try to use very old techniques with very new technology, and here's a case in point
Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear
Hidden under the surface, there are some very big changes happening with the big manufacturers
Magic Lantern crops up in some surprising places. Even in cameras that can't actually capture video
Developments in the field of magic lantern raw video continue to grow with news that developers have managed to get raw video support up and running on the Canon 50D, a 5 year old camera that predates the Canon 5D Mark II and which shipped without any video capability at all!
Most people assume that quad/hexacopters are built that way because they're easy to position in space. But wait till you see this