The JVC GY-HM650 is in several ways an important camera. It can record to two codecs simultaneously, and can stream over 3G/4G mobile and and WiFi. And the BBC loves them enough to have placed a very large order. Here's our in-depth review
In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam
There seems to be no limit to the minutiae that can be displayed in a camera’s viewfinder. Focal distance, zoom percentage, date and time, battery condition, shutter, and umpteen other things, all contribute to the clutter; indeed, there is no shortage of miscellany that can obscure the viewing image and the edges of the frame
Yet another entrant in the crowded action camera field, the Panasonic HX-A100 sets itself apart by being wearable, right out of the box
JVC has released details of their new GY-HM70 camera aimed at camera operators working at weddings, events and a wide range of other contexts. Stand-out features include strong low-light performance and "superior" image stabilisation
Open Source software. Somehow, it makes sense: talented developers contribute to projects in their spare time and the result is often stunningly good software. So what about Open Source hardware? That's different, and it's far more difficult
Last year at NAB, Panasonic revealed its concept for a 4K varicam camcorder. And what a concept it was, with a large sensor and a revolutionary Android-based user interface. It looked like a genuinely new and refreshing idea for the incoming era of 4K or Ultra High Definition
The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.