To mark the occasion of the new year, our editor has asked me to come up with some predictions for the coming twelve months
Internet forums, YouTube and magazines are full of articles extolling the virtues of large sensor video cameras, whether it's the Red Epic or the Canon C300. But should we be obsessed with the Big Chips, or do they have a downside as well. Kieron Seth investigates.
Just a few blurry shots but here's Sony's prototype 4K media player - and a shot in video of the 4K consumer camcorder
So, we've seen the announcement from Sony of two new 4K cameras, new codecs, new recording media and a new 30" 4K LCD monitor. Just how significant is this, and is this the 4K Tipping Point, at least for production, if not all the way to the home?
The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)
Within hours of my article on the FT-One going live, Vision research have announced the Phantom Flex4k. Mere hours ago the FT-One was something of a groundbreaking camera giving really high speeds in the 4k space, which gives you some idea of what this years NAB is like. Now, there's much bigger news. Redshark contributor Freya Reports