Equipped with a proxy encoder and WiFi module the Panasonic AG-HPX600 ushers in an era of the camera-server that enables remote operation, screening, and collaboration, on a level we haven’t previously experienced. Barry Braverman reports
Within hours of my article on the FT-One going live, Vision research have announced the Phantom Flex4k. Mere hours ago the FT-One was something of a groundbreaking camera giving really high speeds in the 4k space, which gives you some idea of what this years NAB is like. Now, there's much bigger news. Redshark contributor Freya Reports
When we were approached by RedShark News to take a look at the new Sony HXR-NX30E we were delighted to be asked, so we gladly said,‘of course!’. We're always excited to get our hands on new technology and equipment so the camera was swiftly biked over to us
There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK. For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.
The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)
We've just written about the paucity of 4K from Panasonic at NAB this year. Meanwhile, Sparky Media Productions has sent us another stunning set of shots taken in Hong Kong with their Panasonic GH3: a digital still camera that outperforms Panasonic's own AF100 (their large-sensor video camera)