The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)
To mark the occasion of the new year, our editor has asked me to come up with some predictions for the coming twelve months
It’s a great pity that in order to enjoy the benefits of digital imaging, we must use pixels that may only be one of a comparatively small selection of colours, as opposed to the effectively infinite subtlety of nature. Phil Rhodes spreads light and understanding about quantization and noise.
You may have heard that one of the top camera manufacturers is taking legal action against another for alleged patent infringement. This is news, but there's very little point in speculating about the outcome at this stage. Only a select group of people working for those companies will have access to evidence that proves the rights or wrongs of the case. We certainly don't
With sales of Sony's larger 4K cameras (the "CineAlta" range) kicking off - apparently more than 2000 F5 and F55s have been sold - Sony has introduced a version of their 4K codec that is more "consumer friendly"