We're replaying some of the best articles from 2012 in case you missed them the first time round. Today: What does "broadcast quality" mean these days by Phil Rhodes
Open Source software. Somehow, it makes sense: talented developers contribute to projects in their spare time and the result is often stunningly good software. So what about Open Source hardware? That's different, and it's far more difficult
There seems to be no limit to the minutiae that can be displayed in a camera’s viewfinder. Focal distance, zoom percentage, date and time, battery condition, shutter, and umpteen other things, all contribute to the clutter; indeed, there is no shortage of miscellany that can obscure the viewing image and the edges of the frame
Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace
Internet forums, YouTube and magazines are full of articles extolling the virtues of large sensor video cameras, whether it's the Red Epic or the Canon C300. But should we be obsessed with the Big Chips, or do they have a downside as well. Kieron Seth investigates.
With Sony's F55 shaping up to be such a good device, it's reasonable to wonder about the future role of Sony's flagship camera, the F65. We spoke to Richard Lewis, Product Specialist for Cimenatography at Sony Europe, to get some definitive answers
The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.
JVC has released details of their new GY-HM70 camera aimed at camera operators working at weddings, events and a wide range of other contexts. Stand-out features include strong low-light performance and "superior" image stabilisation