RedShark News

First street prices for Sony's F5 and F55

Published in Business

Sony caught the entire industry on the hop with their low list pricing for the recently-announced F5 and F55 4K-capable cameras, but now we're seeing the first street prices, and they are, of course, even lower!

Panasonic AG-HPX600: the networked camera

Published in Technology & Computing

Equipped with a proxy encoder and WiFi module the Panasonic AG-HPX600 ushers in an era of the camera-server that enables remote operation, screening, and collaboration, on a level we haven’t previously experienced. Barry Braverman reports

Within hours of my article on the FT-One  going live,  Vision research have announced  the Phantom Flex4k. Mere hours ago the FT-One was something of a groundbreaking camera giving really high speeds in the 4k space, which gives you some idea of what this years NAB is like. Now, there's much bigger news. Redshark contributor Freya Reports

Colour Look Up Tables demystified

Published in Technology & Computing

As digital video cameras get better, and their users become more ambitious, LUTs are used to preserve or manipulate the images. Understanding LUTs is now key to setting up a production workflow

Sony Camcorders Gain Wireless Capability

Published in Technology & Computing

Sony has announced a new wireless adapter designed to optimise news and production workflows for its professional camcorder users, shares Kate Large

When we were approached by RedShark News to take a look at the new Sony HXR-NX30E we were delighted to be asked, so we gladly said,‘of course!’. We're always excited to get our hands on new technology and equipment so the camera was swiftly biked over to us

Seeing Red

Published in Business

There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK.  For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.

The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)

We've just written about the paucity of 4K from Panasonic at NAB this year. Meanwhile, Sparky Media Productions has sent us another stunning set of shots taken in Hong Kong with their Panasonic GH3: a digital still camera that outperforms Panasonic's own AF100 (their large-sensor video camera)

Sony camcorders smash 50 Mb/s barrier

Published in Production

Sony's PMW150 and PMW200 cameras boast 50 MB/s recording and have been approved by the European Broadcast Union for use - sending a positive message to broadcasters across the world

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