The UK’s first 4G network, EE (formerly Everything Everywhere), goes live in a selection of UK cities on October 30, but for a broadcast industry looking to push content to mobile there has been some dismay about the data caps the network is imposing. Everything Everywhere? Not quite.
The rise of Periscope and Meerkat has been one of the most significant stories for the tech industry this year, but alongside their already fearsome reputation in online piracy we reckon they have an important role to play for film makers too.
While many production houses and broadcasters are adopting 4K workflows, guest author Fran de Souza, who resides on the border between Uruguay and Brazil, details his television station's struggle in transitioning from SD to HD broadcast in 2015 and the stroke of ingenuity that made it happen.
This is a very small camera, but - make no mistake - it's broadcast quality. Panasonic Guru Barry Braverman looks at it in detail
Anyone remember Betacam SP? There wasn't anything particularly clever about it, just a good standard workhorse of a tape format that, for more than a decade, more or less technically defined what you could and couldn't put on TV.
One phrase you’ll hear a lot wherever the broadcast industry gathers is ‘disruptive technologies’, by which people typically mean that the internet is challenging all the business models and assumptions that have powered the industry for decades. With recent news that BitTorrent is now muscling in on their space, it might have to reach for a new, more apocalyptic description
NAB, which is without any question the time and place each year when the biggest announcements are made, is only three weeks away. We'll be there in force, bringing you the most important stories. Meanwhile, it's useful to see what others are predicting at the show