There's a downside to new operating system upgrades: incompatibility. But Blackmagic already has their software ready to go with Mavericks
As a company Blackmagic Design certainly likes putting the cat amongst the pigeons and NAB 2014 is no exception. Prepare to meet the URSA, the world’s first user upgradable 4K digital film camera.
Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.
Hidden under the surface, there are some very big changes happening with the big manufacturers
It dawned on me just the other day: we are living in the future. There is so much innovation and new technology around us that it no longer feels like we're merely living in the present. It's as if we're in a science fiction movie where we've been transported forward by ten or twenty years
Blackmagic's original Cinema Camera continues to amaze, with some people likening it to a mini Arri Alexa. Most of what we've seen from the camera - understandably, has been from the raw footage, subsequently graded - sometimes heavily
With a lot of focus shifting to the Blackmagic Pocket Cinema Camera last year and the Production Camera this year, it's easy to forget that the original 2.5K Cinema Camera is such a capable beast - and especially so considering its dramatic price reduction
Products like the Blackmagic Cinema Camera and the upcoming Digital Bolex D16 - not to mention Magic Lantern-hacked EOS cameras are all capable of producing raw video. Just a few years back, virtually no-one had encountered this strange new format. Now, it's all over the place. Peter Haas looks at how you deal with this stuff in the real world