RedShark News

Once again, ingenuity, creativity and hard work trump budget, as exhibited by an impressive new music video for Jennifer Davies' Lapse of Time, from director Maxx Peter and timelapse photographer Paul Richardson.

First raw footage from the Blackmagic Pocket Cinema Camera

Published in Production

 

The software upgrade was issued on Tuesday, and how we've got the first results

The Utah landscape obviously helps to make a jaw-dropping film, but you also need some clever flying kit, and some piloting skills. And the fact that you can now capture it all in 4K makes it more than worthwhile

Blackmagic Addresses Criticism

Published in Business

While Blackmagic Design nearly stole NAB 2014 with the announcements of the URSA and Studio cameras, not everyone is happy with the news. Some customers are still waiting for promised improvements and bug fixes for their current cameras. Here's Blackmagic's response.

Blackmagic Cinema Camera footage captured as ProRes

Published in Production

Blackmagic's original Cinema Camera continues to amaze, with some people likening it to a mini Arri Alexa. Most of what we've seen from the camera - understandably, has been from the raw footage, subsequently graded - sometimes heavily

Blackmagic 2.5K & Pocket Cams get in-camera formatting

Published in Production

Following in the wake of a recent update that unlocked in-camera formatting for the 4K Production Camera, Blackmagic has just released another update that gives that formatting functionality to its 2.5K and HD Pocket Cameras.

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

Using the Blackmagic Cinema Camera with Anamorphic Lenses

Published in Production

Apart from colour saturation, contrast, and a a shallow depth of field, one of the most cinematic things you can do to your images is to film them in a cinematic aspect ratio. And since most sensors come in 16:9, which is widescreen but nowhere near as wide as 2.35 to 1, for example, then the only way to shoot in this format is to use an anamorphic lens, which squashes the image horizontally to fit it onto a narrower sensor

How the finance industry views developments at NAB

Published in Business

Now that the dust has settled and heads are clear after the industry’s annual jaunt to Vegas, Azule Finance’s Peter Savage reflects on this year’s show that bought the future into focus

More great-looking URSA demo footage emerges

Published in Production

More lucious 4K footage from the yet-to-be-released Blackmagic URSA

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