RedShark News

Making sounds in the editing room

Published in Post & VFX

Guest Author Vladomir Boboshin details exactly what you can do when your role shifts from editor to emergency sound designer.

Equipment for reproducing high end audio - so that you can actually hear the difference - is expensive. Would you buy Sony's top-end Walkman?

Plural Eyes 3: Slick Sound Syncing

Published in Post & VFX

Recording audio separately from video is prone to synchronisation problems. Traditionalists use (electronic) clappers and the Timecode from the camcorder. Enter the new way to synchronise: Plural Eyes from RedGiant's Singular Software

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

New Audio section in RedShark

Published in Audio

RedShark now has a dedicated audio section. We're doing this to ensure that we give the best possible coverage to this imortant part of content creation

A great christmas present (including to yourself).

Published in Audio

We reviewed these at the beginning of the year. I've been using them since then and they're still brilliant. If you want to treat yourself this Christmas...

Pro Tools 11.0 released by Avid

Published in Audio

Pro tools has been around since 1991, a time when doing any sort of digital audio editing was a technical challenge. The most you could expect was to play back a few tracks, and there were absolutely no real-time effects or processes (apart from volume!) at that time. Now, an important new version is released

Microphones for Video: What you need to know

Published in Audio

A microphone is a simple component that transforms acoustical energy into electrical energy. However, there is a lot to gain if you select the right microphone for the job. Eddy B. Brixen of DPA Microphones explains.

EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

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