RedShark News

New ARRI Amira - our in-depth first look

Published in Technology

Phil Rhodes takes an indepth first look at the new ARRI Amira

Could the Amira be the ultimate indie digital cinema camera?

A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

 Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. In the next few months, you'll be able to buy cameras with Global Shutters at all price points. This can't come soon enough, according to Phil Rhodes

Shooting on the Arri Alexa in a 4K UHD future

Published in Production

Think the ARRI Alexa only does HD? Think again!

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

First raw Images from the Digital Bolex D16

Published in Technology

More signs that the Digital Bolex D16 is coming to life. The picture above is one of the first raw images to come from this much awaited camera

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

Game of CGI and Compositing

Published in Post

Game of Thrones has amazing production values. How is this possible, across multiple series, with an even remotely sensible production budget? This Behind The Scenes video shows how

It’s official: Arri are developing a 4K Alexa!

Published in Business

It looks like soon it will no longer be a matter of choosing between the visual qualities of the Arri Alexa or those of 4K resolution. A recent statement seems to suggest that it might soon be possible to have your cake and eat it

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