RedShark News

On the eve of the NAB show, ARRI has announced a collaboration with Transvideo for a 5" OLED field monitor that doubles as a camera controller.

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

In a statement released today (and reproduced below in full) ARRI has announced that its Amira camera will can be upgraded to record UHD (not 4K) internally, as UHDProRes

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

Making sense of Sensors - part 2

Published in Technology & Computing

As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.

Shooting on the Arri Alexa in a 4K UHD future

Published in Production

Think the ARRI Alexa only does HD? Think again!

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

The Sony A7S has an extraordinary dynamic range

Published in Production

Sony's A7S has a low noise floor which helps it to achieve Sony's claimed 15.3 stops (at least with still shots - and it's not far from that with video). But what does this look like?

Which is more important - the DOP or the Camera?

Published in Production

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

It's real! ARRI Alexa 65mm 6.5K camera!

Published in Production

In a stunning reveal, ARRI introduces the Alexa 65, a 6.5K 65mm large format video camera, making good on a rumor that surfaced way back before NAB 2014.

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