RedShark News

It's real! ARRI Alexa 65mm 6.5K camera!

Published in Production

In a stunning reveal, ARRI introduces the Alexa 65, a 6.5K 65mm large format video camera, making good on a rumor that surfaced way back before NAB 2014.

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

Making sense of sensors: Part 1 of 2

Published in Technology

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

Major new software upgrade for ARRI ALEXA

Published in Production

One of the best things about modern cameras is that they just keep getting better - even after you've bought them, they just keep getting better

In a statement released today (and reproduced below in full) ARRI has announced that its Amira camera will can be upgraded to record UHD (not 4K) internally, as UHDProRes

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

Making sense of Sensors - part 2

Published in Technology

As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.

More details on the ARRI Amira

Published in Production

I spoke to the ARRI Amira product manager for the new camera to confirm a few things. While some of this is available from ARRI's website, I just wanted to go over the most important things here

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