Taken with something of a sense of irony, a camera phone can't do justice to the magnificence of an 8K, 33 megapixel video screen.
It dawned on me just the other day: we are living in the future. There is so much innovation and new technology around us that it no longer feels like we're merely living in the present. It's as if we're in a science fiction movie where we've been transported forward by ten or twenty years
It’s probably no surprise that Red has been fast to 8K in the digital cinema market as it has always been a company that pushes the resolution envelope. But in a surprise NAB announcement, Red says it is going to be releasing an 8K full frame sensor upgrade for its Weapon camera that will be able to record 8K at a rather staggering 75fps. Most people were expecting such an announcement to be a ways off yet.
Here's another chance to read this controversial article, which is also the most read-ever piece in RedShark. What do you think?
Another chance to read about this fascinating debate. This was first published in April 2014. Just because we can do 16 bit, High Dynamic Range, 6K and 8K: does that mean we need it? Here's where to start in the debate
Sony has developed a mind-bending application for UHDTV (Ultra High Definition TV) that records the action on an entire football pitch, and then allows an area of the pitch to be selected and output at "standard" 1080 or 720 resolutions.
The current fixation on resolution is misplaced and we’re in danger of missing the point completely when we make films and videos
It's kind of surprising to see a top-end camera like the F65 being used in smaller independent films. But the reality is that it's not so expensive and difficult to operate that it's out of range of this type of production. And here's the proof