RedShark News

Post & VFX

We recently had the opportunity to check out NewBlue's title maker, Titler Pro 4. It might not have the power of After Effects or Motion, but it makes up for that with some impressive ease of use.
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Blackmagic has unveiled the latest iteration of its popular color grading application, Da Vinci Resolve, with a public beta that furthers its progression towards being a fully-featured editor.
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What do you do if you want to get rain in your shots but don't want to get your equipment wet?
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2015's Sight, Sound and Story conference at the Manhattan Edit Workshop provided some real nuggets of wisdom that can be applied to every edit room.
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Kevin Luiz takes a deep dive into Red Giant's popular Magic Bullet and Shooter Suites, profiles their respective toolsets and gives some thoughts on workflow and usage.
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Jonny Elwyn on one technique to make any edit you are working on much more effective: make it shorter.
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RedShark Replay: Part three of our series on How to Edit gets to the heart of the matter and looks at how to approach the edit itself (first published November 2014).
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RedShark Replay: Part two of our comprehensive guide to editing looks at bringing your material into the NLE (first published November 2014).
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With 4K footage on YouTube becoming increasingly commonplace, Craig Marshall details one way of producing and uploading video in the format without the need for a 4K video camera. The answer? An '80s presentaton style called 'audio visuals'.
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Custom raster support allowing users to work in any raster in any format up to 8K and AVC-I, ProRes, XAVC-I and XF-AVC native high-resolution playback are all added to the latest version of Avid’s editing package.
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