RedShark News

Post & VFX

Another chance to read how you can make HD look like 4K. It's really not that difficult, when you consider that it's hard to make 4K look like 4K!
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Phil Rhodes gives us his take on Red Giant's TrapCode Suite, Effects Suite and Universe software tools, and why it makes sense to have all three.
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RedShark Technical Editor, Phil Rhodes, reviews Tiffen's new standalone and plug-in package of digital filters that mimics its popular line of optical filters.
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Here's a video tutorial to model a CGI strawberry. Although it's specifically for Cinema 4D, those using other 3D modeling and animation programs could pick up some tips as well.
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[Updated] Imposing a "strong" look on a film can take all the original goodness from it. Phil Rhodes wonders whether we can take the concept of "skin tone" seriously any more.
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Real-time post production in 8K is now a reality. Just.
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X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns.
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(Not) NAB 2015: Though Apple has only had one two NAB appearances in the past 8 years, that hasn’t stopped it from timing major updates for when the annual conference comes around. And this year is no different, as Apple releases Final Cut Pro 10.2, Motion 5.2, and Compressor 4.2. Daniel G Roberts is your guide.
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Highlights from the latest round of Adobe releases include completely new colour workflows for video editors, a rather ingenious new mobile app that captures Looks for video and a whole lot more.
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As befits anything having the phrase ‘V12’ as part of its name, the latest version of Blackmagic’s editing and grading package is a powerful beast with a lot of new features under the hood.
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Blackmagic will demo its Fusion compositing application on OSX at NAB in Vegas, and here's the official teaser video!
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