Post & VFX

RedShark Replay: Craig Marshall wonders why this particular clip of Willie Nelson singing Gershwin's 'Summertime' looks and sounds quite so good.
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A new mocha Pro 5.2 point release adds some major workflow improvements as well as new licensing options for larger studios users.
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Deftly avoiding any superstitious sensibilities by jumping directly from version 12 to 14, the new version of Lightworks comes with a new user interface.
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Create a Dr. Strange-inspired shield in Adobe After Effects. 
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How Atsuki Sato and his team used Adobe Premiere Pro CC to complete Hideaki Anno's monster film on time.
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RedShark Review: Kyno, a utility that may save valuable time when transferring and transcoding footage.
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London’s Soho Editors has just produced an event, FCPXWorld, looking into the deep mechanics of FCPX 10.30 and is restaging it in Berlin on Friday 18 November.
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Enough is enough. Simon Wyndham is a long-time Mac user, but, like more than a few others, in the wake of the new MacBook Pro announcement he is now considering changing computing and NLE platforms. 
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In this 'Project Story', we meet the folks at Nice Shoes Creative Studio and discover how mocha Pro has become an important tool in their workflow. [sponsored]
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Video collaboration specialist Frame.io looks to cap a successful year with the launch of its panel for Adobe After Effects.
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Colorfront’s popular tool for DCP and IMF mastering gets a Mac Pro-oriented release, while the PC version adds 8K power and lots of new functionality.
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