RedShark News

Post & VFX

Phil Rhodes gives us the technical run-down on LTO storage and why you should reconsider storing your valuable footage on hard drives.
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Blackmagic announced an important firmware update for its Teranex hardware-based standards convertor and video processor, which dovetails nicely with our recent series on the subject.
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Metus has added support for ProRes 422 to its multi-stream capture and transcoding software, Ingest.
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Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs
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What happens when a celebrated concept artist elects to handcraft their own live-action sci-fi project? David Levy’s Plug is the highly impressive answer.
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Guest Author Vladomir Boboshin details exactly what you can do when your role shifts from editor to emergency sound designer.
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There's a quality to the cinema experience that 'cinema feel' people discuss in relation to depth of field, grain, contrast and other image characteristics, all of which have changed significantly with digitalisation. But why? Guest Author John Clark delves into frame rates and the science of perception.
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The latest in our series highlighting Oscar 2015's Best Visual Effects nominees: here we feature Dawn of the Planet of the Apes with a group of videos that illuminate the film's VFX processes.
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RedShark Technical Editor, Phil Rhodes, reviews the ColorEdge CG318 32in 4K monitor from Eizo and determines its suitability for film professionals and whether it's worth the hefty price tag. The clue is in the title...
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Timelapse specialist Rob Whitworth has taken the hyperlapse shot to the next level with his latest video short, Dubai FlowMotion.
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Guest author Vladimir Boboshin give us the low-down on the equipment he brings when editing on the move.
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