Post & VFX

Awards season is almost upon us and as far as visual effects work goes, the American Academy and British BAFTA voters are broadly in agreement. Here are some suitably stunning breakdowns...
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As Super Bowl mania consumes the US ahead of Sunday’s game, the end of the week has also been a Super Bowl of sorts for software updates.
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A recent update to Lightworks brings native 1080p Vimeo export for Free and Pro users, plus steep discounts for subscribers.
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Hawking’s Bizarre: Black holes, thermodynamics and radiation get the MTV treatment, with a short film that sees Professor Stephen Hawking and Aardman make beautiful music together.
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MPC delivered 425 shots for Ridley Scott’s The Martian, which is one of the leading contenders for a VFX Oscar — hell, for an Oscar period as well — at the ceremony at the end of February. This showreel illustrates why.
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Cinesite acquired Image Engine in the summer of 2015, combining forces of two of the most respected and sought after VFX companies. Check out their show reels!
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Red Giant has a history of promoting its products by producing shorts partially made with its software, with each film upping the production ante.
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SlimRaw bills itself as an affordable solution for reducing the size of uncompressed cinemaDNG files, saving precious storage space by nearly 43%.
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Boris FX’ Continuum Complete 10 is not only the biggest release from the company yet, but also the first joint development since its merger with Imagineer Systems. Guest author, Ross Shain, details what’s new.
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Star Wars rapidly creates its own mythology, and one of the main myths already surrounding The Force Awakens was that it was the long-awaiting triumphal return of practical effects. And it was, but only to an extent.
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We review the iStopMotion animation app, a software package that brings some pro animation features to iPads and iPhones.
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