Post & VFX

We caught up with Avid Chairman and CEO, Louis Hernandez Jr, while we were in Dubai recently. Sitting in a gloomy corner of an otherwise brightly lit Avid booth, we shot this exclusive video interview. Without giving away anything too specific, we look at NAB 2017 and beyond.
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RedShark Replay: These days, editors may often find themselves having to work on different NLEs for different projects. Switching can be a difficult process, but Peter Haas has three strategies to ease the pain.
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Boris FX’s new Sapphire 10 Units see the well-regarded VFX plug-in collection offered as eight separate categories with a lower price point starting at $195.
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How many times have you captured that perfect Kodak moment, with the exception of the image slightly being out of focus? I'm not talking about so fuzzy you think there's a person in a shot, only that the image is a bit soft. Turns out there's a solution....
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Sometimes you look at the world today and struggle to make sense of anything. This video certainly won't help. It's a brilliant mashup by famous YouTube Editor, Robert Jones.
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Slippery when wet. Phil Rodes explains how to create the visual illusion of rainfall and mist, not with the help of plug-ins for your NLE but with the real thing: physical special effects. Just make sure to keep your equipment dry...
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The company’s attitude and relationship with the professional market has fallen under scrutiny even more than usual with last year’s release of the new MacBook Pro line: a release that left many feeling rather underwhelmed. Tim Cook, however, has reassurance.
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Boris FX will be updating its plug-in packages Continuum and Sapphire with some major new features, as well as showcasing Mocha VR, its new 360/VR tool at NAB.
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Inevitably it didn't get as much attention as the new camera and panels did when they were announced last week, but in Blackmagic's live stream unveiling Grant Petty also talked briefly about Resolve for Linux.
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What are the best rigs for cutting your project as we move inexorably into the 4K future? As of here and now, here are a few that George Shaw reckons are leading the charge.
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Creatives working on Westworld had an elegant solution for co-ordinating looks between the set and post production.
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