RedShark News

Audio

Speech recognition software could ultimately lead us to a new way to work with video
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Rode has announced a new camera microphone, the Stereo VideoMic X, which appears to be an interesting dual capsule setup in an XY Stereo configuration. The two microphone capsules are acoustically matched and have shock mounting built in at the capsule level.
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As any video camera owner will tell you, rolling shutter is the work of the devil. It causes some horrendous issues with the picture in different circumstances. However, it seems that that rolling shutter effect can also be used in another way…
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The most definitive virtual recording studio, Reason, has an update. And it's a big one
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A microphone is a simple component that transforms acoustical energy into electrical energy. However, there is a lot to gain if you select the right microphone for the job. Eddy B. Brixen of DPA Microphones explains.
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RedShark Technical Editor Phil Rhodes delves into Dolby and how it transformed an existential dilemma into an exciting innovation for movie theater sound.
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EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect
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It has been a long time coming but the new DAW from (some of) the team that developed Ableton Live is likely to generate plenty of noise
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 Digital sound libraries might be marginalising the role of the foley artist and the sound designer but there really is no substitute for the sheer creativity and organic, natural-feeling sound epitomised by the likes of Ben Burtt's work on the Star Wars franchise.
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The latest iteration of the Fairlight Crystal Core Technology at the heart of the company's various digital audio mixing, recording and editing systems promises to deliver impressive track-counts and support immersive surround formats beyond 22.2, all on a single PCIe card.
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Video is only half the equation for a full production. Audio is important. To do it properly, you need skill and perseverence
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