Audio

RØDE's first release looks idea for small studios and home setups who want studio quality without having to give up a side of their house!
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We are never truly in a silent world. Knowing the difference between silence and ambience could make or break your soundtrack.
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Gibson has announced that development of Sonar has come to an end.
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Make sure you get your audio settings and recordings right with this important guide from Tim Dunphy. 
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For those thinking that camera technology can get out of control sometimes, there is always the reassuring world of extreme high-end audio to act as a reference point. The McIntosh MC1.25KW amplifier is a case in point.
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RedShark Review: Sound Devices released its MixPre series of audio recorders earlier this year, with the MixPre-10 the most recent addition. Erik Vlietinck had the opportunity to try out a MixPre-6, a compact recorder that can handle eight channels and promises audio quality that belies its size and price.
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Whilst much of the focus on Blade Runner 2049 has been on the incredible visuals, sound plays a huge part in the movie’s emotional atmosphere. This amazingly informative video delves into the production of the soundtrack for the film.
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iZotope's audio plugins can be a life saver. Particularly when it comes to noise reduction. The company has now introduced comprehensive updates to its Ozone and Neutron mastering and mixing software plugins. Erik Vlietinck gives us his verdict.
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Sound is 70% of what we see, or so the mantra goes. Much is made of sound design for traditional films, but how do you create an effective sound mix for VR?
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RedShark review: Oliver Peters offers us his perspective on the popular and very capable Sound Forge Pro Mac 3 audio editing software.
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They only had one chance at a take. The BBC's news item about a recent experimental recording of an orchestral piece direct to vinyl shows just how affectionately we still view the medium. But did it offer any advantages over digital, and did it prove anything?
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