With digital, file-based production, your experience on-set during productions is a potential minefield. Throw a complicated raw workflow into the equation, and you need help. That's the reasoning behind Magic Bullet's BulletProof
With all the noise surrounding the Magic Lantern raw hack, it's easy to forget that raw cameras have been around for some time. It's also easy to forget that well shot and skilfully graded "mere" HD can look very good indeed
Did you know you can get really classy effects that you simply drag and drop onto your timeline without using plugins?
Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear
The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?
Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs
The Lightworks team announces a massive improvement in Long GOP performance, which means that Editors don't have to transcode from their camera formats before they edit
This demo shows how advertising in the future will make use of the time, weather, location and probably your pulse-rate to target and engage (or possibly enrage?) you
If a film is in black and white it is fairly safe to say that it is likely to be old rather than new. Colour is a more recent thing than monochrome. And this is about as old as you can get with colour film
We're taking this at face value. If this is what it says it is, it's the first proper video from a Magic Lantern-modified 5D mk III showing actual raw video