Andy is European Editor of RedShark. He has spent nearly two decades writing about all aspects of the broadcast and film industries for a variety of high-profile industry publications on both sides of the Atlantic. During that time the industry has moved from 4:3 SD to 16:9 SD to HD and now on to 4K. He's getting kind of curious to see where it goes next.
Two very different genre shows, HBO’s Game of Thrones which finished last night and the BBC’s ongoing Jonathan Strange & Mr Norrell, have convinced us that we are in a new era of television special effects and that TV can now do (nearly) everything that film can.
There's no doubt that a rise in video ubiquity is having an impact on the stills market. But while the choice between video and stills is often now just a change of setting on high-end DSLRs, when it comes to the practicalities of switching there are some things that photographers need to bear in mind.
The UK’s industry training body, Creative Skillset, has released its latest Creative Media Workforce Survey which details how much is earned by who at all levels of the industry. It’s not particularly happy reading, especially if you work in film. And freelance. Or you’re a woman.
The rise of Periscope and Meerkat has been one of the most significant stories for the tech industry this year, but alongside their already fearsome reputation in online piracy we reckon they have an important role to play for film makers too.