Why do people put video from one of the world's top cameras on YouTube with the expectation that we can judge the quality of the material? Just to make it perfectly clear: video on YouTube is highly compressed.
Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail
RED and ARRI don't need to worry just yet, but here's more evidence that phones are the new camcorders
I may be the editor of RedShark but until today I haven't actually had a chance to get my hands on a Blackmagic Cinema Camera other than at trade shows. Well, we do have one now and I was in London helping Phil Rhodes shoot some scenes for an upcoming article - so I just thought that, even though I'm probably the last person on earth to see the camera properly, I'd write some first impressions
RedShark contributor Freya looks at new ways to get your footage off your camera and back to base
Professional camera GUIs seem stuck in time. Isn't it time for a radical change?
IKONOSKOP is back and with new investors - and a credible plan to move forward - the future is looking infinitely brighter than just a few months ago