RedShark News

In part 2 of this series, experienced VFX Supervisor HaZ looks at the right and wrong ways to approach studios when you're looking for work

Lynx: A camera that makes 3D models

Published in Production

This future camera captures the world in 3D models; yet another exciting innovation funded through Kickstarter.

A cloud based studio?  Yes it’s possible and is already happening

Here's a great video that shows the intensive research and development that goes into creating an iconic VFX shot

Autodesk Smoke 2015 Quick Review

Published in Post & VFX

Autodesk Smoke 2015 is one of the few editing systems that can work at almost any resolution and has extensive 3D compositing capabilities, but what is it actually like to work with?

How to write video effects for Lightworks

Published in Technology & Computing

Gary Hango, an expert in video effects and processing, is also an enthusiastic Lightworks user. In part 2 of this series, he introduces the language Lightworks uses to create video effects, and shows how you can write your own.

VFX 101 according to Method Studios

Published in Post & VFX

Wherein the team at Method Studios attempt to explain what they do for a living… with the help of a whiteboard and a marker pen. Warning: there may be satire ahead. By Chris Elwyn.

Dwarf Labs: Montpellier's VFX innovators

Published in Post & VFX

Redshark’s VFX Reporter HaZ takes a trip to Montpelier to visit Dwarf Labs: a CGI animation studio in Montpellier, just off the French Mediterranean seashore. Dwarf’s ambition is to create world-class computer-generated imagery that appeals to audiences of all ages.

FXhome announce HitFilm 3 Pro

Published in Post & VFX

FXHome are about to release HitFilm 3 Pro, the latest version of their low cost, cross platform editing, compositing and grading package

Drag and drop effects you can use with anything

Published in Post & VFX

Did you know you can get really classy effects that you simply drag and drop onto your timeline without using plugins?

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