Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo
X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns.
BorisFX Continuum Complete 9 (BCC 9) was first released for Avid Media Composer, Sony Vegas Pro and Adobe After Effects / Premiere Pro. Further versions for other host applications such as Apple Final Cut Pro X / Motion 5 and the OpenFX architecture of Blackmagic DaVinci Resolve have arrived which makes it a good time for Mark Zdunnek to assess the package and its capabilities.
Andy Stout concludes his look at over a century of VFX in the movies with a glimpse at the pre-digital practical tools and the techniques that have been used over the decades to make an audience's collective jaw hit the floor
Redshark’s VFX Reporter HaZ takes a trip to Montpelier to visit Dwarf Labs: a CGI animation studio in Montpellier, just off the French Mediterranean seashore. Dwarf’s ambition is to create world-class computer-generated imagery that appeals to audiences of all ages.