We don't have any details on this but this blurry photo does appear to be the first picture of a Sony FS700 kitted out with what we assume is the AXS-R5 Raw Recorder, which is the only way that the FS700's 4K output can be accessed and stored
Sony's PMW150 and PMW200 cameras boast 50 MB/s recording and have been approved by the European Broadcast Union for use - sending a positive message to broadcasters across the world
With sales of Sony's larger 4K cameras (the "CineAlta" range) kicking off - apparently more than 2000 F5 and F55s have been sold - Sony has introduced a version of their 4K codec that is more "consumer friendly"
You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage
Hot on the heels of Nokia's 808 PureView, a smartphone with an over-endowed 41 MegaPixel sensor that allows smooth, lossless digital zooming, comes the Sony NEX-EA50EH. It's definitely not a phone, but does share one fascinating feature in common
Why do people put video from one of the world's top cameras on YouTube with the expectation that we can judge the quality of the material? Just to make it perfectly clear: video on YouTube is highly compressed.
Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace
There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.
For consumers, the switch to 4K is inevitable. But the transition may not be as impactful for manufacturers as they hope. Here’s why, and what consumers really want.
There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK. For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.