Since 2009 the National Theatre in London has been broadcasting selected productions to Digital Cinemas around the world. On the 27th of February they will set a new standard when they broadcast "War Horse" live via satellite in 4K
This is a monitor you're (literally) going to want to watch
Today’s a pivotal moment in the history of digital video cameras. It’s like the day that the first VHS camcorder came out. It’s like the start of DV. And it’s like the time they announced the first HDV camera. Today’s the start of the 4K Prosumer camcorder revolution. Today’s the day that Sony’s announced its first consumer and prosumer 4K camcorders.
For several years now Sony has seen a disappointing trend where its position as the maker of choice for quality TVs has been eroded by Korean electronics giants, to the point where it has struggled to retain almost any traction in this ultra-competitive marketplace
Now that the next-gen console battle lines have been drawn, guess what? Sony and Microsoft want the same domain: your TV and everything near it. David Valjalo investigates
Unlike the vast majority of independent films, we decided to film “La Vie Nous Appartient” with a high-end camera - in this case, the Sony F65. This might have seemed a somewhat daunting task, considering our more than low budget, and our choice to film all by hand in a rocky terrain. But it was important to us to give our sensitive story the quality it deserved
With sales of Sony's larger 4K cameras (the "CineAlta" range) kicking off - apparently more than 2000 F5 and F55s have been sold - Sony has introduced a version of their 4K codec that is more "consumer friendly"
This article was extremely popular when we first published it. In case you missed it first time - here's a second chance to read it. Sony's XAVC is used across an increasing number of its professional camcorders. Why did they choose yet another format? There were good reasons, as we explain below