RedShark News

R'ha: The best sci-fi short of 2013 (so far)

Published in Production

It didn’t take long for a sci-fi short to make noise in 2013, courtesy of animation student Kaleb Lechowski, who took a can-do approach in realizing his mini-epic

Red Giant: Stu Maschwitz on Run Like Hell

Published in Business

 

Stu Maschwitz is a filmmaker, visual effects supervisor and the Creative Director of Red Giant Software, where he helped develop Magic Bullet Looks, BulletProof, Colorista II and more. In the past, he was a VFX artist and supervisor at Industrial Light & Magic (ILM) for four years, and then co-founded visual FX company The Orphanage in 1999, who did FX for several movies including Joon-Ho Bong’s monster film The Host (2006), Iron Man (2008) and more

Chaplin, Astaire and... Gumdrop!

Published in Production

In Gumdrop, a young actress charms her way through a screen-test. The twist? She’s a CGI robot vacuum cleaner

Plurality - Feature film plausibility on a shoestring

Published in Business

The blockbuster science-fiction movie look is now available to anyone with a good story, creative vision and persistance.

How to fund a short/independent film - Part 1 of 3

Published in Business

Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.

How to fund a short/independent film - Part 3 of 3:

Published in Business

Budgeting for short or independent films

True Skin: Sci-Fi short hits the big time

Published in Production

In what is becoming an industry trend, Music video FX impresario Stephan Zlotescu and N1ON score a feature deal from their CGI-fueled video. At RedShark, we’re suckers for a great Sci-Fi short.

First short film on F55 - Made for European Launch

Published in Technology

We were a little bit underwhelmed when we saw the first footage from the F55, not because there's anything wrong with the camera - far from it;  but because it was shot incredibly flat, and we kind of expected something a bit more eye-catching than that. The whole experience set us off on what was essentially a rant about how you shouldn't use YouTube or Vimeo to judge the quality of a camera

Paperman - where paper and CGI meet

Published in Production

Previously only screened in theaters with the feature Wreck-It-Ralph, Disney released its Oscar-contending short, Paperman, online

How to fund a short/independent film - Part 2 of 3:

Published in Business

Approaching Crowd-sourced funding

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