RedShark News

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

Off the Shelf 4K sensor can do 150fps!

Published in Technology

Another "off the shelf" 4K high speed sensor

Vintage lenses for large-sensor cameras - Part 1

Published in Production

In this meticulously detailed feature, Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

Vintage lenses for large-sensor cameras - Part 2

Published in Production

In part 2 of this fantasticly detailed article, Ulrich Plank advises what to look for, and what to look out for!

Epic killed by laser!

Published in Technology

Don't take your expensive camera to a laser show!

Dramatic claims from RED: 21 stops from Dragon!

Published in Technology

RED and, say, Sony are diametrically different in so many ways, and perhaps no more so than in the way that the EPIC manufacturer absolutely loves to let information about new products seep from every pore

The art of Colour Rendering

Published in Post

Human beings come in a variety of exciting colours. Rendering those colours in a pleasing way has been a goal of photography since before photography actually had colours, but it's always going to be an incredibly subjective issue

RED EPIC Monochrome: First impressions

Published in Production

We've been given a RED EPIC M Monochrome to use for a couple of weeks, lent to us by RED’s European headquarters in Pinewood Studios, West London. Why does this very high resolution black and white video camera even exist?

Digital Bolex D16 shipping in a few weeks

Published in Production

A recent blog post from the folks behind the Digital Bolex eludes to an on-schedule release of its long-awaited camera.

Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras

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