RedShark News

Why would you use CCD when CMOS is newer and cheaper?

Just when it seemed Panasonic completely missed the 4K boat, the camera manufacturer shows up to dock with its very own 4K sensor. Could a camera be that far off?

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

Digital Bolex D16 shipping in a few weeks

Published in Production

A recent blog post from the folks behind the Digital Bolex eludes to an on-schedule release of its long-awaited camera.

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

RED unleashes the Dragon

Published in Business

As expected Red have announced the release of the new Red Dragon sensor. The Specs are: Epic Dragon 6K. 6144 x 3160 resolution at up to 100fps. Three additional stops of dynamic range over Epic M-X

How to understand Dynamic Range

Published in Technology & Computing

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

Red Dragon Sensor: "More resolution than 65mm film..."

Published in Production

RedShark contributor Phil Rhodes pointed out something to me the other day that sounds obvious when you hear it: that camera makers never used to make film, and yet - if you can remember that far back - it is the film that determines the quality and feel of the photograph (and the lens, of course), not the camera

Actual photos emerge from the new RED Dragon sensor. RedShark contributor Freya reports

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