RedShark News

DaVinci Resolve 10 is one of the applications that has been optimised to run on the new Mac Pro and now, thanks to Dado Valentic from Mytherapy, we can see just how fast it runs. You may be surprised at some of the results!

An elegantly arranged test between some well known digital cameras and an analogue one!

Dell Introduces monitor with twice the pixels of 4K!

Published in Post & VFX

Guest author Daniel G. Roberts reports on Dell's upcoming display made with video editors in mind: the Dell Ultrasharp 27-inch 5K Monitor.

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

RED is making an early push to be the talk of NAB 2015 by teasing information on its new Weapon Dragon camera in the weeks before the show.

When your showreel looks as good as this, you really don't have anything to prove. You don't have to convince anyone that your kit is good enough for the movies, because your showreel is the movies

RED comes clean

Published in Business

Red comes clean, saying "yes, we are late on almost everything, but it's worth it because what we do is great and changes everything for the better". (Our paraphrase - exact text follows)

RED’s 6K Weapon ships and adds internal ProRes

Published in Production

The first RED Weapon cameras are coming off the production line as v6.1.6 firmware adds ProRes recording options, Rec.709 and Rec2020 colour spaces, and 3D LUT and multi-look support.

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

RED draws battle-lines for 4K film distribution

Published in Studio & Broadcast

A day is a long time in digital video technology. And what we now know is that the battle-lines have been drawn for the fight over 4K delivery. Is this simply a squabble between obscure and proprietary systems, or the end-game in the democratisation of cinema that started with the RED One, and blossomed into the plethora of affordable cameras that start with DSLRs and go all the way up to the new Sony F55?

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