What better way to demonstrate the power of a new tablet than by asking it to edit RED 6K files in real time?
Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail
DaVinci Resolve 10 is one of the applications that has been optimised to run on the new Mac Pro and now, thanks to Dado Valentic from Mytherapy, we can see just how fast it runs. You may be surprised at some of the results!
There was a lot of news at IBC2014, particularly on the camera and camera accessory front, and we published a lot of stories as a result (with more still in the pipeline). Here, in case you’ve missed any of our coverage, are the highlights so far (with added Photokina).
A show’s look is a powerful storytelling cue that helps orient an audience to a story’s intended genre and tone. In general, comedies look sharper, bluer, and more immediate. Dramas look more diffused, warmer, and past tense. It is the cinematographer’s responsibility to create a look that is consistent with the program’s genre from the very first frame. In this article Barry Braveman looks at how this can be achieved.
Proving the axiom that not all firmware updates are created equal, RED packs a punch via its ‘Build 4’
An elegantly arranged test between some well known digital cameras and an analogue one!