RedShark News

3.2K ProRes comes to the Arri Alexa XT

Published in Technology & Computing

 ARRI makes it clear that the Alexa is a camera for the 4K future

Sony Alpha 99 Provides Clean HDMI Output

Published in Production

We've just heard from PhotoKina that the Sony A99, with it's 24 megapixel full-frame sensor, outputs a clean HDMI signal that works with external field recorders. This is looking like an established trend now.

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

Sony's Glasnost: Is Sony opening up to working with other companies and products?

Atomos is one of the best examples of a company that rides the wave of new technology. As soon as a new function or capability becomes possible at a sensible price point, Atomos jumps on it and makes a product.

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

Sony is releasing firmware updates for its popular F55, F5 and FS7 cameras, unlocking new functionality for these venerable favorites. But in order to take full advantage of these updates, it may cost you.

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