RedShark News

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Major upgrade to PIX 240 from Sound Devices

Published in Production

Sound Devices has just posted a major firmware update to its Pix 220/240 series of file-based recording devices

A new, higher quality version of ProRes is immediately supported by the ARRI Alexa

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

Is it hard to set up 4K recording?

Published in Technology & Computing

Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD

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