RedShark News

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

Black is the new black

Published in Technology

A new nano material promises to transform camera, lens and display technology

Perfect lenses are coming soon - but would we want them?

Published in Technology

One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses

The Opposite of Precision

Published in Technology

Who needs lens adaptors?

Sigma surprised a few people when they announced their new 18-35mm zoom lens with a constant f/1.8  aperture back in April. Now they've surprised a few more by announcing the price - $799

The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.

Mocha Pro 3.1: Free update includes lens distortion correction

Published in Post

Erik Vlietinck tries out the lens correction in this major new update with a GoPro camera

Tokina NEW 11-16mm CINE lens: Is it worth it?

Published in Production

Lens manufacturer Tokina is set to release a CINE version of its popular 11-16mm lens for APS-C and other crop sensor cams. But do the changes justify such an inflated price?

The crop factor controversy

Published in Production

Phil Rhodes shares his view on the use of "crop factor" to discuss focal lengths and the complications it can cause

If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable

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