RedShark News

Guest author Pavan Deep tells us why he prefers to shoot film, even when editing and finishing digitally. 

It just won’t go away, will it? However much you can prove with specifications that digital video is indisputably better than film, there’s a stubborn feeling that there’s more to it than the simple-to-prove facts. We think we've indentified one, subtle, process that helps film to store more visible information than digital.

Another great article from the vast RedShark Archive. Just in case you didn't see it first time around: "...it's perhaps surprising that the Super-8 film format is still – in what we might have expected to be the twilight of its years – quite popular. The popularity of retro-styled web imaging services like Instagram is another instance of what I suspect may be the same trend, and goes some way toward confirming the suspicion that distressed images are now just as fashionable as distressed jeans"

 Digital video can now demonstrably beat film in every way. So why do we keep comparing the two?

Super 8 is becoming popular again

Published in Technology & Computing

"...it's perhaps surprising that the Super-8 film format is still – in what we might have expected to be the twilight of its years – quite popular. The popularity of retro-styled web imaging services like Instagram is another instance of what I suspect may be the same trend, and goes some way toward confirming the suspicion that distressed images are now just as fashionable as distressed jeans"

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

An elegantly arranged test between some well known digital cameras and an analogue one!

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