RedShark News

 Here's another chance to read this great article by Phil Rhodes on why cameras need global shutters. Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. The ability to buy cameras with global shutters at all price points can't come soon enough, according to Phil Rhodes

The Sony F65 is now an Indie Film camera!

Published in Production

It's kind of surprising to see a top-end camera like the F65 being used in smaller independent films. But the reality is that it's not so expensive and difficult to operate that it's out of range of this type of production. And here's the proof

Making sense of sensors: Part 1 of 2

Published in Technology & Computing

Film always used to be the main thing that determined how a photograph looked. Now, it's the sensor. So camera manufacturers have taken on a huge extra responsibility!

Does this send film to Oblivion?

Published in Technology & Computing

You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage

RedShark Summer Replay: HDR means that TVs will be able to show videos that handle light in the same way as real-life. In our view, it's much more important than merely having more pixels, and the good news is that it's compatible with some existing cameras!

This is the first of two articles featuring the Sony F65 - currently widely considered to be the best cinematography camera in the world, and the only one to output a true 4K from its 8K sensor. In this RedShark exclusive, Andy Stout talks to DoP Ben Smithard about his approach to shooting period drama Belle with this 4K camera

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

Unlike the vast majority of  independent films, we decided to film “La Vie Nous Appartient” with a high-end camera - in this case, the Sony F65. This might have seemed a somewhat daunting task, considering our more than low budget, and our choice to film all by hand in a rocky terrain. But it was important to us to give our sensitive story the quality it deserved

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

4K cameras: A rundown of what's available now

Published in Production

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

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