RedShark News

 Here's another chance to read this great article by Phil Rhodes on why cameras need global shutters. Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. The ability to buy cameras with global shutters at all price points can't come soon enough, according to Phil Rhodes

Oblivion maximises the benefits of shooting in 4K

Published in Production

You wouldn't expect any film with Tom Cruise in it to be short on production values and Oblivion proves the point. Shot in shimmering 4K with Sony's F65, it relies less overtly on computer-generated special effects than other sci-fi blockbusters

3 best things at IBC 2012

Published in Business

IBC is a convention for the moving image industry that is second only to NAB. It's an event that's amazing in its size and scope. We haven't been around long enough to have our own official awards, so here's my own ideosyncratic top three from this year's show, in reverse order

This is the first of two articles featuring the Sony F65 - currently widely considered to be the best cinematography camera in the world, and the only one to output a true 4K from its 8K sensor. In this RedShark exclusive, Andy Stout talks to DoP Ben Smithard about his approach to shooting period drama Belle with this 4K camera

Why the Sony F65 is still on top

Published in Production

With Sony's F55 shaping up to be such a good device, it's reasonable to wonder about the future role of Sony's flagship camera, the F65.  We spoke to Richard Lewis, Product Specialist for Cimenatography at Sony Europe, to get some definitive answers

Does this send film to Oblivion?

Published in Technology & Computing

You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage

4K cameras: A rundown of what's available now

Published in Production

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

Can you make a feature film with an iPhone?

Published in Production

Can you make a feature film with an iPhone? Well, "yes" is the answer if you don't mind a slightly fuzzy-looking picture on a big screen, and if you sit far enough away, but you can certainly get a cinematic "look" if you use cinema-type techniques when you make your film, and some software to give your work its finishing touches.

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

Claudio Miranda on Oblivion and the Sony F65

Published in Production

There's no doubt that Sony's pretty pleased about the results of their F65's role in Oblivion. And well they might be: the internet is bursting with plaudits for the look and style of the film

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