There's always a moment when the harsh nature of reality is crystallised; when however hard you try, you can't pretend any more that things are OK. For most people, this type of thing happens when they get their first credit card bill after Christmas. For Red, one imagines, their corporate hearts stopped for a moment last Tuesday, 30th October, when Sony revealed the scale of their new camera ecosystem.
Atomos is making its 4K monitor recorder, the Shogun, an increasingly attractive option for an increasingly wide audience by once again announcing support for upcoming cameras months before release. Camnera's such as Canon's C300 Mark II.
With video cameras now sporting 4K video - that's the equivalent of 8 Megapixels, each frame is capable of looking like a pretty decent still photograph. This means that not only can you grab high quality frames from video to use in still image media, it might actually be the best way in the future to do still photography, because you will have a wonderful, 24 or even 60 frames per second to choose your stills from
Phil Rhodes injects some reality into the current race for megapixels
It's been some time now since the digital stills fraternity stopped worrying about megapixels, at least to the extent that the Canon EOS 5D mark 3 was designed with only trivially greater resolution than its predecessor.
Canon is bringing out a wired remote controller for its Cinema EOS cameras, apparently as a result of user requests
A new video showing the C100 in detail and how it might be used with an external recorder for even better images
The new 7D Mk II may be a bit like the 1DC. We'll find out early in September. By RedShark Staff Writer Matt Gregory