Great news for Canon 7D users who feel left out of the Magic Lantern raw party, it would appear that the buffers for raw data on the 7D have now been found! This brings the 7D much closer to a working raw workflow
Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear
The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?
This has been a long time coming, and we never actually thought we'd see it: a clean HDMI output from the Canon EOS 5D Mark III. What does this mean and why is it important?
Ever wonder what a Canon 5D MK2, an NEX FS100 and a Blackmagic Cinema camera look like, side by side? Probably not because two of these are the old models and you'd more likely be thinking about a 5D MK3, an NEX FS700 and the Blackmagic camera. But that doesn't make this any less interesting