RedShark News

Colour Look Up Tables demystified

Published in Technology & Computing

As digital video cameras get better, and their users become more ambitious, LUTs are used to preserve or manipulate the images. Understanding LUTs is now key to setting up a production workflow

Can you really make an Open Source camera?

Published in Business

Open Source software. Somehow, it makes sense: talented developers contribute to projects in their spare time and the result is often stunningly good software. So what about Open Source hardware? That's different, and it's far more difficult

Sony camcorders smash 50 Mb/s barrier

Published in Production

Sony's PMW150 and PMW200 cameras boast 50 MB/s recording and have been approved by the European Broadcast Union for use - sending a positive message to broadcasters across the world

UK sees the biggest ever order for 4K hire equipment

Published in Business


Procam, a UK-based hire company, has shown a huge commitment to 4K by placing the biggest ever order for equipment by a hire company with Sony

RED EPIC Monochrome Field Test (with video)

Published in Production

Following up his "first impressions" article, Phil Rhodes reports on his actual use of this most unusual of cameras

4K in a fixed-lens camcorder? No problem, says JVC

Published in Production

We’ll be one of the first to get our hands on a production version of this amazing device so keep watching for our hands-on review!

RedShark contributor Freya looks at new ways to get your footage off your camera and back to base

The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)

Why the Sony F65 is still on top

Published in Production

With Sony's F55 shaping up to be such a good device, it's reasonable to wonder about the future role of Sony's flagship camera, the F65.  We spoke to Richard Lewis, Product Specialist for Cimenatography at Sony Europe, to get some definitive answers

When we were approached by RedShark News to take a look at the new Sony HXR-NX30E we were delighted to be asked, so we gladly said,‘of course!’. We're always excited to get our hands on new technology and equipment so the camera was swiftly biked over to us

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