RedShark News

4K in a fixed-lens camcorder? No problem, says JVC

Published in Production

We’ll be one of the first to get our hands on a production version of this amazing device so keep watching for our hands-on review!

Why the Sony F65 is still on top

Published in Production

With Sony's F55 shaping up to be such a good device, it's reasonable to wonder about the future role of Sony's flagship camera, the F65.  We spoke to Richard Lewis, Product Specialist for Cimenatography at Sony Europe, to get some definitive answers

Can you really make an Open Source camera?

Published in Business

Open Source software. Somehow, it makes sense: talented developers contribute to projects in their spare time and the result is often stunningly good software. So what about Open Source hardware? That's different, and it's far more difficult

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

Just a few blurry shots but here's Sony's prototype 4K media player - and a shot in video of the 4K consumer camcorder

Living with Red

Published in Production

David Read gives us his heartfelt opinion after two years experience with a Red One camera

Within hours of my article on the FT-One  going live,  Vision research have announced  the Phantom Flex4k. Mere hours ago the FT-One was something of a groundbreaking camera giving really high speeds in the 4k space, which gives you some idea of what this years NAB is like. Now, there's much bigger news. Redshark contributor Freya Reports

Sony Camera tease: The New "F"

Published in Production

Over the past week Sony’s CineAlta Twitter Feed (@CineAltaNews) has been buzzing hints of an upcoming product announcement on October 30. Ned Soltz, RedShark's reporter in New York, sums up the speculation

When we were approached by RedShark News to take a look at the new Sony HXR-NX30E we were delighted to be asked, so we gladly said,‘of course!’. We're always excited to get our hands on new technology and equipment so the camera was swiftly biked over to us

The big camera announcements this year have been for large (in terms of capability), top-end cinema-type devices. That's all very exciting. But it does actually take time for cameras to be evaluated, bought, and then used in a production. That's why we're only just starting to see major feature films being made with Sony's natively 4K F65 (After Earth, with Will Smith, for example)

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