RedShark News

In Pursuit Of Excellence: The RØDE Microphone Story

Published in Audio

Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide

 

Well, this is unusual. We're quite used to seeing audio sound effects libraries and samples of all kinds of things from exotic North Korean bagpipes to banjos, but this is something different

New Audio section in RedShark

Published in Audio

RedShark now has a dedicated audio section. We're doing this to ensure that we give the best possible coverage to this imortant part of content creation

Zoom H6: A new standard in audio?

Published in Audio

There's going to be no shortage of very highly capable cameras in the next few months and years. DSLRs have been on the video scene for a few years, and now face competition from relatively low-cost cameras aimed directly at the cinematography marketplace

Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports

Why can't you freeze-frame sound?

Published in Audio

There's something rather curious about sound, which is that it can range from a simple, single tone like a sine wave (or a flute, if you like) to a complete orchestra at the climax of a symphony. Even day-to-day background "atmospheres" can be a complex mosaic of hundreds of sonic elements: just think of the din at a supermarket checkout, or the racket at a soccer match when someone scores a goal

The importance of audio in video making

Published in Audio

Here's a short series of videos from Microphone manufacturers Sennheiser that will help you improve your sound when shooting

Microphones for Video: What you need to know

Published in Audio

A microphone is a simple component that transforms acoustical energy into electrical energy. However, there is a lot to gain if you select the right microphone for the job. Eddy B. Brixen of DPA Microphones explains.

Pro Tools 11.0 released by Avid

Published in Audio

Pro tools has been around since 1991, a time when doing any sort of digital audio editing was a technical challenge. The most you could expect was to play back a few tracks, and there were absolutely no real-time effects or processes (apart from volume!) at that time. Now, an important new version is released

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

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