There's going to be no shortage of very highly capable cameras in the next few months and years. DSLRs have been on the video scene for a few years, and now face competition from relatively low-cost cameras aimed directly at the cinematography marketplace
Phil Rhodes, our Technical Editor, may incur the wrath of audiophiles and engineers with thie idea that "the audio equipment world has it fairly easy," but he draws intriguing parallels between audio and camera equipment development, which may be instructive for manufacturers.
I was present at the audio mixing stage of Aardman Animations' "The Wrong Trousers" or "Wallace and Gromit" as most people remember it. This stop-motion animation classic was hilarious from the first frame to the last, but for me the most memorable thing was seeing it without sound, and then with sound
There's one thing that matters above all else when you're mixing for films or TV
Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide
Whether you call it single system or in-camera sound, it may be time that camera makers develop products with better native audio recording capabilities.