We ask industry leaders to tell us about their companies and how they see the future. External recorders are now selling in large numbers and the Sound Devices Pix 240 is a popular example. Jon Tatooles, Managing Director of Sound Devices, tells us about his company and how he sees the years ahead.
Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports
Well, this is unusual. We're quite used to seeing audio sound effects libraries and samples of all kinds of things from exotic North Korean bagpipes to banjos, but this is something different
There's going to be no shortage of very highly capable cameras in the next few months and years. DSLRs have been on the video scene for a few years, and now face competition from relatively low-cost cameras aimed directly at the cinematography marketplace
EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect
Recording audio separately from video is prone to synchronisation problems. Traditionalists use (electronic) clappers and the Timecode from the camcorder. Enter the new way to synchronise: Plural Eyes from RedGiant's Singular Software
RØDE announces a stereo mic and iOS app designed for iPhone and iPad users
Pro tools has been around since 1991, a time when doing any sort of digital audio editing was a technical challenge. The most you could expect was to play back a few tracks, and there were absolutely no real-time effects or processes (apart from volume!) at that time. Now, an important new version is released