RedShark News

Atomos Shogun Delayed by firmware issues

Published in Technology & Computing

It's never easy launching a sophisticated video product on time. Here's a good example: Atomos' Shogun has been delayed by firmware issues

This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!

While many of us are patiently waiting for the Atomos Shogun 4K HDMI recorder, Convergent Design reminds us that they already have an SDI 4K and other recorders on the market, now made better with a recent firmware update.

Sony's tiny 4K HandyCam supports a full 4K HDMI output that should be compatible with the upcoming Atomos Shogun 4K recorder - months before the A7S

In something of a surprise announcement, Canon unveiled the XC10 4K camera (among other hot new products) in advance of NAB 2015. And in another twist, Atomos has announced that the yet-to-be released camera will receive Shogun support

The typically grey and murky English weather is the bane of photographer's lives but on this occasion it only adds to the sense of foreboding as we look at these weird, sinister relics

Expect up to 20 new 4K cameras to hit the market before NAB, says Atomos Chief Executive

NAB 2015: Atomos adds impressive list of new features

Published in Production

With a flurry of new announcements, upgrades and improvements, Australia’s Atomos has had a busy Vegas as it seeks to pile on the features to its units and provide its competitors with something of a serious headache.

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

Firmware upgrade adds Avid DNxHD to Atomos Ninja 2

Published in Production

Atomos has finally released their Avid DNxHD upgrade for Ninja-2 field recorders. First hinted at over a year ago, the new firmware upgrade will allow direct capture from HDMI sources into the Avid format, which is usually lossless at higher bitrates

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