RedShark News

Studio & Broadcast

One of the factors reining the GoPro HERO in from complete industry ubiquity has been the lack of a live transmission option for broadcasters beyond some home-brew workarounds. That has all just changed with the launch of the GoPro HEROCast, but it ain’t going to be cheap.
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NHK is still pushing forward with its 8K Super-High Vision television project and is planning to begin test broadcasts in Asia next year (2016) with an end goal of broadcasting the entire 2020 Olympics in Tokyo at 8K resolution. To this end it is working closely with Hitachi on developing new 8K video cameras and the latest fruit from this…
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‘Game-changer’ is probably the most overused phrase at this year’s NAB, but in the shape of the HDC-4300 Sony might just have the real article in its hands, not just for the company itself but for the whole industry-wide introduction of 4K.
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The newest addition to Teradek’sVidiU family of streaming devices, the VidiU Pro is aimed squarely at webcasters looking for an all-in-one streaming system for a sub $1000 pricepoint.
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A slick new app points the way to how we might watch TV in the future
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Finally we have some substantial early news on the 4K Blu-Ray front, only it's not going to be called 4K Blu-Ray but ULTRA HD BLU-RAY™.
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We're seeing an interesting trend in consumer display technology shaping up at this year's Consumer Electronics Show that could impact filmmakers and video content producers.
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At the risk of giving the game away - probably not. But we still think that Ultra Widescreen  - 21:9 - at 4K-type resolutions is a better bet than 8K, for all sorts of reasons
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Guest author John Clark of Berlin Picture Company explores why there's so little consistency of colour across broadcast platforms and what the industry may need to remedy the problem.
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The next generation of audio for television is set to be much more flexible
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