RedShark News

Studio & Broadcast

Is it harder for women to succeed - or even exist at all - in the broadcasting industry? Neil Roberts from Forscene leads the debate.
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Here's a short video showing how we built a virtual studio - all based on the TriCaster Mini.
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Could the new Perseus codec usurp H.265/HEVC for future 4K distribution (and possibly even acquisition)?
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8K? 4K? HD? No. This is the only contemporary film to have been downgraded to VHS quality to give it that oh-so-smooth '80s look. And it's a masterpiece.
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Getting a "look" right is traditionally thought of as something you do in post. And you definitely wouldn't expect a quite strong look to be applied to a multi camera live TV shoot. But that's exactly what the BBC has done in this performance from Jool's Holland's "Later... with Jool's Holland" from BBC 2 on 19th May 2015
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Another chance to read Serge Golikov's excellent article on the the often-confusing matter of aspect ratios, letterboxing, and pillarboxing, giving RedShark readers a lesson of cinematic rectangles (in rectangles).
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One of the fastest expanding areas of our industry is corporate video. Now more often called "video communication", it's a great way to get your video skills used and paid for. Here's a TV programme we made about it.
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Given all the effort and expense spent on making impressive visuals, it's a bit of a waste when you consider the woeful state of image fidelity on consumer televisions. The answer to this problem requires an adjustment...of attitude. By Roland Denning.
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Ethernet is more flexible than SDI. What's to stop it taking over completely in TV studios?
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Why do we even bother shooting high quality footage when satellite and terrestrial broadcast compression throws it all away?
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While many production houses and broadcasters are adopting 4K workflows, guest author Fran de Souza, who resides on the border between Uruguay and Brazil, details his television station's struggle in transitioning from SD to HD broadcast in 2015 and the stroke of ingenuity that made it happen.
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