RedShark News

Studio & Broadcast

Here's a test video of YouTube's new 48p format, shot on the Sony F65
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We revisit one of our favorites, a dandypunk, to see what new creative heights he's reached with his unique blend of animation, projection mapping, and performance.
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RedShark Technical Editor Phil Rhodes lifts the veil on Dolby Vision, a revolutionary high dynamic range display system that could change how films are made and shown.
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Just a reminder to anyone in the UK who would like to come to the RedShark-sponsored UK Screen event: More Pixels: Better Pixels on Weds 22nd at 1:30pm to 7:00pm
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Hyphenate 'Roy Two Thousand' is making a habit of releasing great time lapses of the yearly Burning Man festival, and his latest may be his best yet.
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Serge Golikov tackles the the often-confusing matter of aspect ratios, letterboxing, and pillarboxing, giving RedShark readers a lesson of cinematic rectangles (in rectangles).
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Guest author Neal Romanek examines UK's switch-over from tape to one standard file format, DPP AS-11, and how it challenges the broadcast industry at home and abroad.
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 The Matrox Monarch HD is a small but powerful device that allows you to simultaneously stream a live event and record a master quality version for post-event editing.
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One of the main stories to emerge from IFA 2014 is that the final specs of the Blu-ray 4K format will be completed by Q3 2015, with the first titles and players hitting the market in the run up to Christmas 2015 soon afterwards.
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According to reports from Japan, the government has decided to bring forward the date for trial 4K and 8K broadcasts from 2020 to 2016 to coincide with the Rio Olympics. A full 4K satellite broadcast service is now slated to start in 2018, just in time for the next FIFA World Cup.
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Phil Rhodes gives us the lowdown on DCPs, or digital cinema packages, and reveals what London's Deluxe must do to prepare international distribution for X-Men: Days of Future Past.
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