Studio & Broadcast

We delve into the topic of IMAX projection systems, as a technical format and exhibition standard, and look to its future.
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As the world’s broadcasters gear up for their biggest event on the four-yearly calendar, are we witnessing the start of the next technological cycle that ends up with 8K in the world’s living rooms?
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Freya Black on the strange case of Sir David Attenborough, his seminal 'Zoo Quest' natural history production from the 1950s, and some recently unearthed colour 16mm footage.
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Sony has debuted a new type of LED screen that aims to expand the colour gamut and and dynamic range of large video installations, even as resolutions reach 8K and beyond.
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Blackmagic Designs’ Intensity Shuttle has been available for a few years now, but, with an open and extensible SDK, is a fine example of a product that has been made still relevant for modern video production. By Iain Churchill-Coleman.
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Peter Haas takes a closer look at one of the sleeper hits of NAB 2016, Blackmagic Design's Duplicator 4K.
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Alongside a brace of other products to make sports production, and live streaming in particular, more economic and flexible, Streamstar also introduced new sports graphics software at NAB.
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In case you think some of the announcements we hear nowadays are game-changing, here's a look back at a truly groundbreaking one from 60 years ago that changed broadcast television forever. And that's no hype. By Phillip Moss.
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A detailed look at the Teradek VidiU Pro, which aims to greatly simplify the workflow for live streaming broadcast.
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In more remote parts of the world outside of the urban centres, measures must be taken to ensure consistent power.
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We profile a hot new short made with Blackmagic kit that's raised some intriguing questions about our own rules concerning what we will and will not publish.
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