RedShark News

Studio & Broadcast

Datavideo has a new switcher that may take the role of the vision mixer away from the set. By Richard Payne
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Some people don't like it when you call UHD 4K. We think it's okay as long as you do it like this...
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Here's a short video showing how a company in Iceland has used video to communicate internally with its customers.
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Is it harder for women to succeed - or even exist at all - in the broadcasting industry? Neil Roberts from Forscene leads the debate.
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Here's a short video showing how we built a virtual studio - all based on the TriCaster Mini.
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Could the new Perseus codec usurp H.265/HEVC for future 4K distribution (and possibly even acquisition)?
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8K? 4K? HD? No. This is the only contemporary film to have been downgraded to VHS quality to give it that oh-so-smooth '80s look. And it's a masterpiece.
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Getting a "look" right is traditionally thought of as something you do in post. And you definitely wouldn't expect a quite strong look to be applied to a multi camera live TV shoot. But that's exactly what the BBC has done in this performance from Jool's Holland's "Later... with Jool's Holland" from BBC 2 on 19th May 2015
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Another chance to read Serge Golikov's excellent article on the the often-confusing matter of aspect ratios, letterboxing, and pillarboxing, giving RedShark readers a lesson of cinematic rectangles (in rectangles).
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One of the fastest expanding areas of our industry is corporate video. Now more often called "video communication", it's a great way to get your video skills used and paid for. Here's a TV programme we made about it.
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Given all the effort and expense spent on making impressive visuals, it's a bit of a waste when you consider the woeful state of image fidelity on consumer televisions. The answer to this problem requires an adjustment...of attitude. By Roland Denning.
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