RedShark News

In the final installment of Peter Jackson’s video blog, the director introduces The Hobbit’s post crew, while the team scrambles to complete the film.

Colour Look Up Tables demystified

Published in Technology

As digital video cameras get better, and their users become more ambitious, LUTs are used to preserve or manipulate the images. Understanding LUTs is now key to setting up a production workflow

A cloud based studio?  Yes it’s possible and is already happening

How to get info from camera to post

Published in Production

A new VFX industry initiative aims to plug a vital information gap even cinematographers were unaware of

Everyone knows about Boris Effects. And, if you're old enough, you'll remember that in the mid to late 90s, it was suddenly possible to create amazing effects and transitions on the slow and clunky NLEs of the time - that looked like they cost a million dollars to produce

FX Factory - new additions

Published in Post

It’s fully-featured for $399 or it’s a plug-in environment for free. It works with FCP 7, FCP X, Motion, AfterEffects and PremierePro. It’s a time-saver and a creative tool. It’s FxFactory

There's a big rush towards repurposing Content for 4K

Published in Post

Think repurposing video content is the same as upscaling it? Think again. We explain the difference and what it means for 4K.

In part 2 of this series, experienced VFX Supervisor HaZ looks at the right and wrong ways to approach studios when you're looking for work

The art of Motion Tracking

Published in Post

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

Adding intentional damage to your video

Published in Post

Have you ever thought about the close connection between electric guitars and modern post production techniques? It's just possible that you haven't. After all, resemblance between a Marshall amplifier and DaVinci colour grading console is minimal, to say the least

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