The new Panasonic Lumix GH3 builds on its predecessor's video-friendly credentials, offering better compression and an all-round improved package. RedShark regular contributor Mark McCarthy of Sparky Media Productions bought one, and put it through its paces
The Panasonic GH2 and GH3 punched way above their weight and produced wonderful video for their price. Now, with the announcement of the GH4, we'll soon find out if the new camera will change the 4K landscape in the way its predecessors did for "mere" HD.
Internet forums, YouTube and magazines are full of articles extolling the virtues of large sensor video cameras, whether it's the Red Epic or the Canon C300. But should we be obsessed with the Big Chips, or do they have a downside as well. Kieron Seth investigates.
Timed with the start of Photokina, Panasonic releases the Lumix LX100, a diminutive, fixed lens 4K camera that's aimed squarely at video shooters.
Are reports of a new 4K “GH4“ just made up nonsense or are we about to see the release of a significant new cinema camera from Panasonic?
Sony and Panasonic have announced that they are working together to develop the next generation of Optical Discs for Archive purposes
Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?
The Panasonic Lumix GH3 keeps amazing us with the quality of the video it can create in capable hands. Regular RedShark contributor Mark McCarthy of Sparky Media Productions takes us to Abu Dhabi, capital of the United Arab Emirates, where the clear skies, geometric patterns and striking buildings are the perfect way to test a camera