The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.
Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras
Yet another entrant in the crowded action camera field, the Panasonic HX-A100 sets itself apart by being wearable, right out of the box
The new Panasonic Lumix GH3 builds on its predecessor's video-friendly credentials, offering better compression and an all-round improved package. RedShark regular contributor Mark McCarthy of Sparky Media Productions bought one, and put it through its paces
Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?
IBC will see Panasonic unveil a new, optimised studio camera that the company says is ideally suited to drama productions, reports Kate Large
Internet forums, YouTube and magazines are full of articles extolling the virtues of large sensor video cameras, whether it's the Red Epic or the Canon C300. But should we be obsessed with the Big Chips, or do they have a downside as well. Kieron Seth investigates.