RedShark News

Do we really need Smart TV?

Published in Studio & Broadcast

Connected TV has replaced 3D as the biggest buzzphrase in the broadcast industry this year. Sales are increasing globally, but, as Andy Stout, reports, different regions are responding in different ways.

Ahead of IBC and Photokina, Panasonic drops a prosumer ENG-style camera that shoots 4K 60p internally at a budget-friendly price.

This is a genuine suprise: Panasonic is first off the starting line with its 4K full frame rate POV camera

We've just written about the paucity of 4K from Panasonic at NAB this year. Meanwhile, Sparky Media Productions has sent us another stunning set of shots taken in Hong Kong with their Panasonic GH3: a digital still camera that outperforms Panasonic's own AF100 (their large-sensor video camera)

“Upstream Color” shot on Panasonic GH2!

Published in Articles

Nearly 10 years after shooting Primer (2004), Shane Carruth is finally back with Upstream Color, and it turns out the movie has been shot on the Panasonic GH2!

We never get tired of watching footage from this amazing little device

Sony A7s, Panasonic GH4 Tokyo Tilt-Shift Video

Published in Production

Two of the hottest cameras on the market combine forces in a tilt-shift video from the WTC Building's observatory in Tokyo. Plus, a bonus Tokyo tilt-shift shot with Sony A7s and NEX-6 cameras.

Making 3D TV Popular: An Olympian Task

Published in Business

James Mathers, Cinematographer and President of the Digital Cinema Society, writes about the state of 3DTV in the Post London Olympic era

Much has been made of the upcoming Canon 70D’s new autofocus system. Panasonic’s been working on its own revolution in autofocus. But where is it?

Most large-sensor cameras use a Bayer colour filter pattern to allow full colour images to be output - after "debayering". This entire process is now pretty routine but unfortunately what is also routine is the amount of light lost through the colour filter process. Less light means more noise, and noise is what ultimately limits the low-light capabilities all cameras

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