RedShark News

VFX goes international

Published in Post

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

The art of Motion Tracking

Published in Post

For most of the history of film, if you wanted to insert something into the picture that didn't exist,  the camera had to be stationary. Motion tracking allows artificial objects to be inserted convincingly into real footage. Phil Rhodes explains

A cloud based studio?  Yes it’s possible and is already happening

Understanding Lightworks VFX

Published in Post

Gary Hango, an expert in video effects and processing, is also an enthusiastic Lightworks user. In this series, he introduces the basic concepts of VFX, and leads you towards writing your own effects for Lightworks

 

 

In part 2 of this series, experienced VFX Supervisor HaZ looks at the right and wrong ways to approach studios when you're looking for work

How to fund a short/independent film - Part 1 of 3

Published in Business

Every film-maker starting out wants to make the best short film, and get the best people and equipment to make it happen - but often with little or no budget at all, all in the hope that the idea is strong enough to get investors and potential co-workers to commit.

Rethinking The VFX Industry

Published in Post

With the recent unfortunate news about the demise of Digital Domain Florida, and with VFX studios downsizing around the world, Redshark’s VFX Columnist HaZ Dulull looks at the reasons for this downturn.

World War Z VFX Breakdown

Published in Post

This past summer's blockbuster zombie epic, World War Z, astounded audiences with terror at the largest of scales. Visual effects house MPC was with realizing much of the film's mind-boggling mayhem...and this VFX breakdown.

VFX news from Europe's IBC

Published in Post

Red-shark's VFX columnist, HaZ, reports on Visual Effects developments at Amsteram's IBC this year.

Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

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