We don't have any details on this but this blurry photo does appear to be the first picture of a Sony FS700 kitted out with what we assume is the AXS-R5 Raw Recorder, which is the only way that the FS700's 4K output can be accessed and stored

We understand that Sony's prices for the F5 and F55 cameras will be released on Tuesday 27th November. This eagerly awaited announcement has the potential to reshape the digital cinematography landscape

Sony begins to flex its 4K ecosystem. What's an ecosystem? It's what happens when content owners also control the means to distribution.

Here's a lovely music video filmed with an FS100. It's a modest work.  It's simple but disarmingly effective

Sony had a lot of announcements at NAB, one that you might have missed was the establishment of a new subsidiary, Sony Cloud Media Services, with a package of cloud based tools for content creators 

Many users or potential buyers of Sony’s PMW-F3 Super35 sensor camera have expressed some confusion over the implementation of S-Log gamma in the recently-released version 1.4 firmware of the camera. A niche subject but a very popular camcorder. Ned Soltz investigates.

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

True to its overarching philosophy of providing an end-to-end 4K ecosystem, Sony is about to launch a 4K television post production unit in the Capra Building at Sony Pictures in Culver City, according to The Hollywood Reporter

With sales of Sony's larger 4K cameras (the "CineAlta" range) kicking off - apparently more than 2000 F5 and F55s have been sold - Sony has introduced a version of their 4K codec that is more "consumer friendly"

There isn't really much we can say about this, except that we're excited. It's a picture of a Sony 4K consumer camcorder