Many users or potential buyers of Sony’s PMW-F3 Super35 sensor camera have expressed some confusion over the implementation of S-Log gamma in the recently-released version 1.4 firmware of the camera. A niche subject but a very popular camcorder. Ned Soltz investigates.
I recently had several hours to play with a pre-release Sony PMW-F55 camera. Sony also supplied me with 2 64gb SxsPro+ cards, the AXS-5 4K recorder, one AXSM 4K media storage, the new LCD viewfinder, the new Olivine battery, and last but hardly least, a new Sony 85mm prime lens
Amid all the recent fuss over 4K, it's easy to get caught up in the enthusiasm over resolution. Shooting a video frame that's the size of a photo taken by a stills camera is no bad thing, of course, but colour and contrast are still the most eye-catching properties on an image. But now we know what the future holds for colour
Hollywood equipment house AbelCine has been serving the needs of professionals for years. Now they're educating pros too, with two videos explaining Sony F55 camera and post workflow.
It is safe to say that the POV action camera market is pretty much owned by GoPro at the present time. Sony have now clearly decided that it was about time that the ante was upped and as a result they have now announced an upgrade to their HDR-AS100 in the form of the HDR-AS100V. Simon Wyndham explores
Even though some people groaned when Sony announced their XAVC codec back in October 2012, it's beginning to look like it is more than just another variation on the h.264 theme. What it may turn out to be is a rich environment for 4K production that is widely supported by NLEs and post production vendors