Some readers may remember a piece RedSharkNews published in 2013 detailing the camera rig I built up from parts collected from all over the world. In keeping with this theme, I recently purchased an Atomos Ninja Star portable ProRes recorder to give my three year-old Sony HD ‘hybrid’ a new lease of life.
While the 2014 launch of Apple's updated mobile devices led to an avalanche of sales, the decision to stick with HD video recording underwhelmed some techies. We take a look at the issue and surmise at least three reasons why your new iPhone 6 or iPad Air 2 doesn't shoot 4K video.
Could cameras like the AJA CION usher in a return to capturing great images in-camera? Simon Wyndham investigates.
Sony recently released details on their new shoulder-mount XDCAM, the PMW-400. The camera includes three 2/3-inch-type FullHD Exmor CMOS sensors, giving it terrific low-light sensitivity. Plus, it has interchangeable lens capabilities, HD/SD-SDI and HDMI, and the ability to use multiple formats and bit rates. In a world of REDs and Blackmagic Cinema Cameras, is this camera necessary? Absolutely
The biggest test for any camera is how it looks in a top-quality cinema
We don't have any details on this but this blurry photo does appear to be the first picture of a Sony FS700 kitted out with what we assume is the AXS-R5 Raw Recorder, which is the only way that the FS700's 4K output can be accessed and stored
For several years now Sony has seen a disappointing trend where its position as the maker of choice for quality TVs has been eroded by Korean electronics giants, to the point where it has struggled to retain almost any traction in this ultra-competitive marketplace