RedShark News

Sony recently released details on their new shoulder-mount XDCAM, the PMW-400. The camera includes three 2/3-inch-type FullHD Exmor CMOS sensors, giving it terrific low-light sensitivity. Plus, it has interchangeable lens capabilities, HD/SD-SDI and HDMI, and the ability to use multiple formats and bit rates. In a world of REDs and Blackmagic Cinema Cameras, is this camera necessary? Absolutely

 This may be a neat, conventional-looking HD camera, but there are some surprises under the hood

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

Exclusive: The truth about OLED monitors

Published in Technology & Computing

Will OLED prices ever come down? What makes them so good, anyway? Barry Young reports

Sony's new consumer 4K handycam - first footage

London from the air in true 4K with a Sony F65

Published in Production

Here's the first film we've seen showing London from the air filmed in genuine 4K with a Sony F65

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail

This week we've seen one industry workhorse undergo a radical and controversial transformation. Apple's Mac Pro has changed beyond recognition, pleasing some, and dismaying others, as they wonder where they're going to put their expensive expansion cards

RED draws battle-lines for 4K film distribution

Published in Studio & Broadcast

A day is a long time in digital video technology. And what we now know is that the battle-lines have been drawn for the fight over 4K delivery. Is this simply a squabble between obscure and proprietary systems, or the end-game in the democratisation of cinema that started with the RED One, and blossomed into the plethora of affordable cameras that start with DSLRs and go all the way up to the new Sony F55?

Kicking off a new RedShark mini-series, Phil Rhodes considers the state of the art of the current viewfinder market and finds it lagging quite a way behind modern camera capabilities.

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