RedShark News

Vintage lenses for large-sensor cameras - Part 1

Published in Production

In this meticulously detailed feature, Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

When cameras are Good Enough

Published in Technology & Computing

Have cameras reached the point where we need to be looking beyond resolution to judge their film-making abilities?

Phil Rhodes explains why luminance is so important within photography

Epic killed by laser!

Published in Technology & Computing

Don't take your expensive camera to a laser show!

A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories.  RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

Now you can use the moon as a lighting rig

Published in Technology & Computing

Canon is one of the relatively few manufacturers that develops its own sensors. This means that they're in a great position to create new sensors with new capabilities, and that's just what they've done with their new 35mm Full Frame CMOS sensor for video capture

CMOSIS upgrades CMV12000 sensor to 300fps at 4k (4,096 x 3,072)

Just when it seemed Panasonic completely missed the 4K boat, the camera manufacturer shows up to dock with its very own 4K sensor. Could a camera be that far off?

In a statement released today (and reproduced below in full) ARRI has announced that its Amira camera will can be upgraded to record UHD (not 4K) internally, as UHDProRes

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