RedShark News

More details on the ARRI Amira

Published in Production

I spoke to the ARRI Amira product manager for the new camera to confirm a few things. While some of this is available from ARRI's website, I just wanted to go over the most important things here

First Footage from AJA Cion 4K camera

Published in Production

 AJA has surprised everyone with this mature-looking 4K camera for $9,000

Why you should use Avid DNxHD and Apple ProRes

Published in Post & VFX

Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs

Fifteen years ago, audio over the Internet was broadcast - and stored - as RealAudio. For those of us listening in over dial-up or downloading one-minute clips, it was an unexceptional entry into the world of new media. Kieron Seth  wonders what will happen to our soon-to-be outdated media files.

Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material

Blackmagic Cinema Camera footage captured as ProRes

Published in Production

Blackmagic's original Cinema Camera continues to amaze, with some people likening it to a mini Arri Alexa. Most of what we've seen from the camera - understandably, has been from the raw footage, subsequently graded - sometimes heavily

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

3.2K ProRes comes to the Arri Alexa XT

Published in Technology & Computing

 ARRI makes it clear that the Alexa is a camera for the 4K future

AJA's Ki Pro Quad now shipping

Published in Business

AJA has announced that they're shipping this extremely capable 4K recorder and it is, perhaps, a good time to recap its functionality. There are a number of angles to this complex product

Sony's Glasnost: Is Sony opening up to working with other companies and products?

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