RedShark News

Blackmagic expands ProRes options on all cameras

Published in Production

Lately, Blackmagic Design has been rolling out new features at a more brisk pace, as evidenced by a recent firmware update that adds more ProRes recording formats to its available cameras.

We don't think anyone was expecting this. This is such a NON Sony thing. Sony has just announced on their Community website that the Sony F5 and F55 will be able to have a hardware upgrade to two of the most popular post production formats: ProRes and DNxHD

 Freya Black gives more details on how the ARRI Amira is going to ouput 4K

Blackmagic Cinema Camera footage captured as ProRes

Published in Production

Blackmagic's original Cinema Camera continues to amaze, with some people likening it to a mini Arri Alexa. Most of what we've seen from the camera - understandably, has been from the raw footage, subsequently graded - sometimes heavily

The best Magic Lantern footage we've ever seen

Published in Production

 

Andre Meyer has produced some wildlife footage using a Canon 5D Mk III, the like of which we've never seen

AJA's Ki Pro Quad now shipping

Published in Business

AJA has announced that they're shipping this extremely capable 4K recorder and it is, perhaps, a good time to recap its functionality. There are a number of angles to this complex product

Perhaps in response to the recent Sony F5 'hack' (or perhaps not; who can say?), Sony has announced that it will now be offering a software only 4K recording upgrade for the Sony F5, in addition to its full Sony F5 to F55 hardware upgrade.

Major new software upgrade for ARRI ALEXA

Published in Production

One of the best things about modern cameras is that they just keep getting better - even after you've bought them, they just keep getting better

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

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