RedShark News

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

The AJA CION has been available for some time now, but very little finished footage has been seen so far. Here's an example from a production shot in New York.

Major upgrade to PIX 240 from Sound Devices

Published in Production

Sound Devices has just posted a major firmware update to its Pix 220/240 series of file-based recording devices

Atomos Ninja 2 + Nikon D800: Part 2 of 3

Published in Production

Phil Rhodes looks at the Atomos Ninja 2 Field Recorder in this second part of his Nikon D800 + Ninja 2 review.

Perhaps in response to the recent Sony F5 'hack' (or perhaps not; who can say?), Sony has announced that it will now be offering a software only 4K recording upgrade for the Sony F5, in addition to its full Sony F5 to F55 hardware upgrade.

We take a look at Cinemartin's Cinec 4 transcoding tool and whether it's worth a premium over lower-cost and free options.

Is it hard to set up 4K recording?

Published in Technology & Computing

Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear

More details on the ARRI Amira

Published in Production

I spoke to the ARRI Amira product manager for the new camera to confirm a few things. While some of this is available from ARRI's website, I just wanted to go over the most important things here

This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

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