RedShark News

 Freya Black gives more details on how the ARRI Amira is going to ouput 4K

Why are there so many camera codecs?

Published in Technology

Why can't cameras all use the same codec?

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

Atomos is one of the best examples of a company that rides the wave of new technology. As soon as a new function or capability becomes possible at a sensible price point, Atomos jumps on it and makes a product.

All you need to know about ProRes: Direct from Apple

Published in Technology

ProRes remains a living codec and proof of that came out two days ago when Apple announced ProRes XQ - an ever higher quality variant

This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!

Is it hard to set up 4K recording?

Published in Technology

Most of us, if we're honest, struggle slightly when it comes to configuring even HD equipment and settings. There are enough combinations of frame rates, codecs and resolutions that just about everyone has to stop and think when they're setting up their gear

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

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