RedShark News

How to understand Dynamic Range

Published in Technology

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

Film Scanning for the future with 4K Blackmagic Cintel

Published in Post

 Where's the best source for 4K material? Old films. Blackmagic brings down the cost of film scanning

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

 Digital video can now demonstrably beat film in every way. So why do we keep comparing the two?

Can film in the UK make a comeback? Cinelabs International certainly seem to think so, as they have just acquired Bucks Media Services which is one of the few small film labs left in the UK

The solution to future-proofing archive? How about film?

Published in Technology

It's a suggestion that runs directly counter to the past few years’ worth of digitisation efforts, but the producers of feature documentary ‘Side by Side’ have chosen to archive their movie on film stock. They might have a point

VFX goes international

Published in Post

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

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