RedShark News

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

Even in a world dominated by pixels and the "new aesthetic," there are a number of us who still love the seemingly undefinable look of celluloid film. Now, you can match it with digital video, very closely. In a major new review of Film Convert, Peter Haas shows how

It's a suggestion that runs directly counter to the past few years’ worth of digitisation efforts, but the producers of feature documentary ‘Side by Side’ have chosen to archive their movie on film stock. They might have a point

Analogue Film: the Sequel

Published in Technology & Computing

Phil Rhodes looks at how Ferrania could be generating new prospects for photochemical film

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

Film fights back in Christopher Nolan's latest film

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

What is it about Film?

Published in Production

"There is no creative advantage to shooting film" says a top industry figure.  So why do top movie directors keep using it? By Matt Aindow

Arguments about film vs digital are more numerous and more subtle than "which looks better?". It affects everything. Here's what people at the coal-face think. By Matt Aindow

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

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