RedShark News

Can Blackmagic resurrect film?

Published in Business


You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

Film vs Digital: here's the reality.

Published in Technology

We're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject

Does this send film to Oblivion?

Published in Technology

You may think we're hammering it a bit with the Sony F65, what with our piece on Belle, and with our forthcoming article on what differentiates the F65 from the F55, but let's be clear about this: we are actually at the point where you can make better films with video than you ever could with celluloid - and that's worth a significant amount of coverage

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

If you're still taking pictures with film, there are still quite a few places that will develop it for you, and some, even, who will scan the images send them to you in a digital form. But what do you do if you've discovered a stash of old film footage?

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

RedShark Winter Replay: Film vs Digital: here's the reality.

Published in Technology

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

VFX goes international

Published in Post

HaZ looks at the trend for post production and VFX to be moved overseas and asks the question: what does this mean to new and existing visual effects artists?

Is 3D just a phase? Danny Boyle thinks so

Published in Business

Now that the BBC has said that it's not actively pursuing a 3D future any more, does Stereoscopic video have any future? Danny Boyle doesn't think so

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