RedShark News

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

An elegantly arranged test between some well known digital cameras and an analogue one!

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

How to understand Dynamic Range

Published in Technology & Computing

Camera performance is now measured as much in terms of Dynamic Range as Resolution. Phil Rhodes explains this essential aspect of camera technology

Kodak Motion Picture Film Gets New Life

Published in Studio & Broadcast

Kodak, and the photochemical film business in general, has been reeling of late. But a recent deal ensures many more years of 'real film'. RedShark Technical Editor Phil Rhodes reports and gives commentary.

It just won’t go away, will it? However much you can prove with specifications that digital video is indisputably better than film, there’s a stubborn feeling that there’s more to it than the simple-to-prove facts. We think we've indentified one, subtle, process that helps film to store more visible information than digital.

If you're still taking pictures with film, there are still quite a few places that will develop it for you, and some, even, who will scan the images send them to you in a digital form. But what do you do if you've discovered a stash of old film footage?

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

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