Phil Rhodes gets into the technical nitty-gritty of why you should seriously consider 4K acquisition if you're ending in high def.
Modern cameras have incredible dynamic range - but you can only access it if you use a "log" or "Cine-style" mode when you record. RedShark Technical Editor, Phil Rhodes, explains how this works, and wonders why there are so many non-standard ways to do it!
I recently encountered a thread on one of my favourite forums in which someone was asking for opinions on a Canon EOS-60D package he'd seen on ebay. This package included the 60D body and extras including three lenses including a battery, charger, flash cards, various filters and diopters, cleaning kit, tripod, and more. All of this was neatly photographed and posted for sale on Ebay by a vendor we'll call, in order to protect the guilty, Pretty Cheap Digital, based in New York
Panasonic's GH4 has exceeded all expectations. It's a 4K professional video camera in the guise of a still camera. It has stuff never before seen on a still imager. Here's our in-depth look at this stunning new camera
Ever since DSLRs started became capable of recording high definition video, their audio capabilities have lagged behind. Some people have got round this by using external field recorders, but the ones that have included "proper" audio - XLR sockets, phantom power and good preamps, have added enormously to the cost of a DSLR rig