RedShark News

Here it is: the Future of Colour

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Amid all the recent fuss over 4K, it's easy to get caught up in the enthusiasm over resolution. Shooting a video frame that's the size of a photo taken by a stills camera is no bad thing, of course, but colour and contrast are still the most eye-catching properties on an image. But now we know what the future holds for colour

Colour grading breakdown

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Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Processing colour with analogue eyes

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Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Colour Correction Overload?

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We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

What colour is night?

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What colour is night? This simple question leads to some deeper questions about colour in film making

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

RedShark Summer Replay: What Colour is Night?

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Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Colour Grading in the Bedroom

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Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

Blackmagic Davinci Resolve 10: The full rundown

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Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

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