RedShark News

Colour grading breakdown

Published in Post

Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Blackmagic Davinci Resolve 10: The full rundown

Published in Post

Here's a full-length, in-depth look at Resolve 10 and the background to its development. RedShark reporter John Burkhart has been talking to Blackmagic about this seminal post production application.

Here it is: the Future of Colour

Published in Post

 

Amid all the recent fuss over 4K, it's easy to get caught up in the enthusiasm over resolution. Shooting a video frame that's the size of a photo taken by a stills camera is no bad thing, of course, but colour and contrast are still the most eye-catching properties on an image. But now we know what the future holds for colour

Colour Grading in the Bedroom

Published in Post

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

RedShark Summer Replay: What Colour is Night?

Published in Post

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Processing colour with analogue eyes

Published in Post

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Colour Correction basics - an excellent tutorial video

Published in Post

How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client

Here's how to make your films look good

Published in Production

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains

This is how to make a showreel

Published in Post

This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

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