RedShark News

Colour grading breakdown

Published in Post

Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Colour correction in Blender: an excellent tutorial

Published in Post

We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Using Resolve with the Blackmagic Cinema Camera

Published in Post

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

What colour is night?

Published in Post

What colour is night? This simple question leads to some deeper questions about colour in film making

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

This is how to make a showreel

Published in Post

This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

Colour Grading in the Bedroom

Published in Post

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

Color grading in black and white

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Tim Burton’s stop-motion Frankenweenie calls for black and white grading

What do electric guitars have to do with colour correction?

Published in Post

Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

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