RedShark News

Processing colour with analogue eyes

Published in Post

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Colour Correction Overload?

Published in Post

We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

RedShark Summer Replay: What Colour is Night?

Published in Post

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year

What do electric guitars have to do with colour correction?

Published in Post

Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

What colour is night?

Published in Post

What colour is night? This simple question leads to some deeper questions about colour in film making

Using Resolve with the Blackmagic Cinema Camera

Published in Post

Blackmagic have just released a firmware update for the Cinema Camera which together with the latest version of Resolve bring a few changes to the workflow

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

Here's how to make your films look good

Published in Production

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains

State of the art colour correction - in 1987!

Published in Post

I'm no fashion guru, but I do remember that in 1987 women wore shoulder pads the size of a small country and men rolled up their jacket sleeves as if it was almost an anatomical necessity. And I spent hours trying to recreate Jan Hammer's synthesised guitar sound from the Miami Vice theme on my Korg keyboard.

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