In our continuing feature, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part Two looks at how the system works.
The new iPad - now in its second generation only months after the first Retina device - has the highest resolution screen ever seen on a mobile device, with significantly more pixels than even a full HD (1080p) monitor. There's room for a full HD picture and other data or UI elements all round it.
We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is
Today will see the first major round of Press events at NAB in Las Vegas, as the world’s broadcast and film technology manufacturers announce what they will be releasing to make our lives easier in the next 12 months. That’s what they hope, but what do we expect? Miguel Ferros reports
In the third and final part of Red Shark Technical Editor, Phil Rhodes' examination of the complexities of the Academy Color Encoding System (ACES), we look at how it's working out in the real world.
In the first of a two-part series, RedShark News Contributor Kevin Luiz explores the current incarnation of Red Giant's popular Magic Bullet Looks, the colour-grading centerpiece of the Magic Bullet Suite.
ACES high. With the technology looking set to feature prominently at NAB, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part One looks at the problems it sets out to solve.