RedShark News

In the third and final part of Red Shark Technical Editor, Phil Rhodes' examination of the complexities of the Academy Color Encoding System (ACES), we look at how it's working out in the real world.

Processing colour with analogue eyes

Published in Post & VFX

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Movies in colour

Published in Technology & Computing


This is something the world doesn't really "need" but is a little bit nicer because it's there

Light Illusion's new SpaceMatch DCM software promises to guarantee facility-wide colour matching of PC displays by circumventing the standard ICC Profiles that can throw things badly out of kilter.

Understanding Colour: Colour Gamuts

Published in Technology & Computing

Gamut is one of the stranger words in the English language. Phil Rhodes sheds some light on this often misunderstood term

Sony's latest range of Televisions, the W9 series, feature a new backlighting technology which massively increases the range of colours that can be displayed.

In our continuing feature, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part Two looks at how the system works.

Colour correction in Blender: an excellent tutorial

Published in Post & VFX

We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

Computer colour is broken

Published in Technology & Computing

Computer software has been getting colour wrong all the time

Colour Grading in the Bedroom

Published in Post & VFX

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

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