RedShark News

In our continuing feature, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part Two looks at how the system works.

iPad as a Reference Monitor?

Published in Technology & Computing

The new iPad  - now in its second generation only months after the first Retina device - has the highest resolution screen ever seen on a mobile device, with significantly more pixels than even a full HD (1080p) monitor. There's room for a full HD picture and other data or UI elements all round it.

Colour correction in Blender: an excellent tutorial

Published in Post & VFX

We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is

New cameras, new kit, but what about new workflow?

Published in Production

Today will see the first major round of Press events at NAB in Las Vegas, as the world’s broadcast and film technology manufacturers announce what they will be releasing to make our lives easier in the next 12 months. That’s what they hope, but what do we expect? Miguel Ferros reports

In the third and final part of Red Shark Technical Editor, Phil Rhodes' examination of the complexities of the Academy Color Encoding System (ACES), we look at how it's working out in the real world.

Magic Bullet Looks - RedShark Review including video

Published in Post & VFX

In the first of a two-part series, RedShark News Contributor Kevin Luiz explores the current incarnation of Red Giant's popular Magic Bullet Looks, the colour-grading centerpiece of the Magic Bullet Suite.

Sony's latest range of Televisions, the W9 series, feature a new backlighting technology which massively increases the range of colours that can be displayed.

ACES high. With the technology looking set to feature prominently at NAB, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part One looks at the problems it sets out to solve.

Computer colour is broken

Published in Technology & Computing

Computer software has been getting colour wrong all the time

Colour Grading in the Bedroom

Published in Post & VFX

Software-only colour grading systems have transformed the look of the colour landscape. But not if you want a hardware control surface or top-level manufacturer support. Andy Stout explains.

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