RedShark News

While Canon's recent updates of its camera line may have left something to be desired, namely 4K recording, the company is stressing 19 improvements for its C100 Mark II over the previous model. The question remains: are these changes enough to entice buyers in an increasingly-competitive market?

First 5D mk III RAW videos appear

Published in Technology & Computing

We're taking this at face value. If this is what it says it is, it's the first proper video from a Magic Lantern-modified 5D mk III showing actual raw video

Here's a really good side-by-side comparison between Canon's EOS 5D mk III (with the Magic Lantern mod) RAW output and the Blackmagic Cinema Camera

We now know what the future of DSLR video will be

Published in Production

Canon has just announced two new members to the EOS 5D family: The 5DS and the 5DS R. But what does this tell us about Canon's attitude to DSLR video?

Canon’s IBC plans: Bigger, better & more 4K

Published in Business

Canon gears up to rock Amsterdam with its largest IBC presence ever, promising 4K studio presentations and plenty of touch-and-see time with its products. But why the fuss?

Magic Lantern crops up in some surprising places. Even in cameras that can't actually capture video

New Canon Cinema EOS System Lenses

Published in Production

Canon has released two new lenses to for its growing Cinema EOS System. The CN-E 14mm T3.1 L F and the CN-E 135mm T2.2 L F are aimed at a wide range of uses "from low to high-end", according to the lens and camera manufacturer

 There was a lot of news at IBC2014, particularly on the camera and camera accessory front, and we published a lot of stories as a result (with more still in the pipeline). Here, in case you’ve missed any of our coverage, are the highlights so far (with added Photokina).

Canon 1Dc: Where does it fit now?

Published in Production

The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?

SPARKY FILM road tests the Canon CN7x17 KAS in 4k. This lens isn't cheap - but it may be the only one you ever need to buy!

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