RedShark News

Modern cameras have incredible dynamic range - but you can only access it if you use a "log" or "Cine-style" mode when you record. RedShark Technical Editor, Phil Rhodes, explains how this works, and wonders why there are so many non-standard ways to do it!

Magic Lantern crops up in some surprising places. Even in cameras that can't actually capture video

The new 7D Mk II may be a bit like the 1DC. We'll find out early in September. By RedShark Staff Writer Matt Gregory

Canon has announced the release of the worlds smallest and lightest DSLR camera which, in America, will go by the name of the Rebel SL1 and in Europe as the EOS 100D

We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD

New "Picture Style" Preset for EOS video makers

Published in Production

Canon has announced a "Picture Style" preset for EOS cameras designed as a result of feedback from EOS video makers

This has been a long time coming, and we never actually thought we'd see it: a clean HDMI output from the Canon EOS 5D Mark III. What does this mean and why is it important?

4K is really great with anamorphic lenses

Published in Production

The resolution of 4K sensors means that there's easily enough detail to work well with anamorphic lenses for those cinematic ultra-wide aspect ratios

Opinion: Is the DSLR dead?

Published in Production

With the ever-increasing choice in video cameras, some strong opinions are emerging. Craig Marshall reports

New ARRI Amira - our in-depth first look

Published in Technology & Computing

Phil Rhodes takes an indepth first look at the new ARRI Amira

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