RedShark News

Can you really make an Open Source camera?

Published in Business

Open Source software. Somehow, it makes sense: talented developers contribute to projects in their spare time and the result is often stunningly good software. So what about Open Source hardware? That's different, and it's far more difficult

Panasonic AG-HPX600: the networked camera

Published in Technology

Equipped with a proxy encoder and WiFi module the Panasonic AG-HPX600 ushers in an era of the camera-server that enables remote operation, screening, and collaboration, on a level we haven’t previously experienced. Barry Braverman reports

UK sees the biggest ever order for 4K hire equipment

Published in Business


Procam, a UK-based hire company, has shown a huge commitment to 4K by placing the biggest ever order for equipment by a hire company with Sony

Sony camcorders smash 50 Mb/s barrier

Published in Production

Sony's PMW150 and PMW200 cameras boast 50 MB/s recording and have been approved by the European Broadcast Union for use - sending a positive message to broadcasters across the world

Colour Look Up Tables demystified

Published in Technology

As digital video cameras get better, and their users become more ambitious, LUTs are used to preserve or manipulate the images. Understanding LUTs is now key to setting up a production workflow

Blackmagic Cinema Camera: Nearing production

Published in Business

It looks like the Blackmagic Cinema Camera is moving closer to production, after all the delays caused by the blemishes on the sensor glass

The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.

IBC2013: What We Learned

Published in Articles

In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam

RED EPIC Monochrome Field Test (with video)

Published in Production

Following up his "first impressions" article, Phil Rhodes reports on his actual use of this most unusual of cameras

Ned Soltz, our East Coast correspondent, has all the details on the new Sony pricing, and how it will stir up the Digital Cinematography marketplace

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