RedShark News

Dawn of the Planet of the Apes has stupendous motion capture and CGI. It wouldn't have been possible without either of these techniques. But does this mean that you can make better films with better technology?

CGI Martian Landscape - with the nelp of NASA

Published in Studio & Broadcast

Video installation artist uses NASA technical data to create a dark glimpse of the future.

This is just a bit of fun, but consider for a moment the range and depth of skills that went in to this amazing piece of work

Real-time Ray Tracing gets closer

Published in Production

Ray Tracing, which sits at the luxury end of the CGI spectrum, is hard to do in real time - but it's getting closer

Make your own cityscape in minutes and not man-years

Published in Post & VFX

A new cityscape generator from Video Copilot could save hours, if not years...

3D video - not just stereoscopic video but moving images that you can literally walk around - will need a different kind of camera.

It's really, really hard to create a GGI human face that's convincing. If you know this, then you also know the reason why so many blockbuster movies (Antz, Bug's life, Cars, WALL•E etc) have been about things and not humans

Here's how Disney uses the power of mathematics to create awesome-looking snow

How A UK Studio Is Redefining Facial Animation

Published in Post & VFX

UK company Speech Graphics is gunning for the top-spot in lip-sync technology: mark their words. RedShark contributor David Valjalo reports

Photorealistic rendering gets easier

Published in Technology & Computing

Photorealism is not an objective thing. What might look real to one person might look phoney to another. It largely depends what your expectations are, and what exactly you're looking for

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