RedShark News

3.2K ProRes comes to the Arri Alexa XT

Published in Technology & Computing

 ARRI makes it clear that the Alexa is a camera for the 4K future

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

Could the Amira be the ultimate indie digital cinema camera?

ARRI ALEXA Mini costs $36,000...and it's a steal

Published in Production

While it may disappoint many observors who had hopes of a truly affordable ARRI camera, the premium pricing of the ALEXA Mini may be justified by saving productions money down the line.

Shooting in near total darkness

Published in Production

Hollywood cinematographer and frequent RedShark News contributor Barry Braverman shares his thoughts on the trend of shooting in low light and wide open.

Shooting on the Arri Alexa in a 4K UHD future

Published in Production

Think the ARRI Alexa only does HD? Think again!

Arri Alexa, LOMO, and Trent Reznor

Published in Production

DP Linus Sandgren put vintage lenses on the Arri Alexa for Ice Age, the new video for Trent Reznor’s How to Destroy Angels.

We predict two camera trends for NAB 2015

Published in Articles

Now is a good time to make a few tentative predictions about the year ahead, just before NAB comes along and proves me completely wrong

 Here's another chance to read this great article by Phil Rhodes on why cameras need global shutters. Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. The ability to buy cameras with global shutters at all price points can't come soon enough, according to Phil Rhodes

New ARRI Amira - our in-depth first look

Published in Technology & Computing

Phil Rhodes takes an indepth first look at the new ARRI Amira

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