RedShark News

What's the best shape for a camera? Phil Rhodes has some strong views

Making sense of Sensors - part 2

Published in Technology

As we saw in my previous article on sensor technology, we can now build sensors with enormous numbers attached to them - if not trivially, at least reliably. Given that current 4K sensors are more than adequate to replace 35mm film in terms of sheer resolution, we need to be careful about turning this into a numbers game.

Zeiss NAB Showcase Video

Published in Production

Not quite ready to put NAB 2013 in the books? Then here's a treat, courtesy of Zeiss: the company's NAB 2013 highlight reel, showcasing new compact zoom and anamorphic lenses!

In a sea of 4K announcements, and sailing serenely against the tide of opinion that the days of sub-4K cinema cameras are gone, ARRI has produced glorious-looking showreel for its Alexa camera; a taster for the plethora of projects it's been chosen for

AMIRA, the brand new documentary style camera by ARRI, made its worldwide debut at Dublin’s Digital Biscuit conference this week, and we're slowly learning more about this intriguing camera

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

Which is more important - the DOP or the Camera?

Published in Production

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

It’s official: Arri are developing a 4K Alexa!

Published in Business

It looks like soon it will no longer be a matter of choosing between the visual qualities of the Arri Alexa or those of 4K resolution. A recent statement seems to suggest that it might soon be possible to have your cake and eat it

Compact Flash goes super speed with CFast 2.0

Published in Technology

The mystery memory card format to be used by the Arri Amira is revealed it all its glory by Sandisk with their new range of super fast cards

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

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