RedShark News

8K & Omnicam: more World Cup innovation

Published in Production

The 4K broadcasts from the latter stages of the World Cup in Brazil might have grabbed all the headlines, but Japan’s NHK also oversaw the capture of nine — yes, nine — matches in 8K, while the Final was also captured in 360° panoramic video too.

All the detail from Sony's London F5 + F55 launch

Published in Production

There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.

Here's another chance to read this controversial article, which is also the most read-ever piece in RedShark. What do you think?

Sony F65 goes 8K (sort of)

Published in Technology & Computing

Sony's been busy this year, but amid the new product announcements, the electronics giant quietly releases news that impacts its top-of-the-line F65 camera.

Just because we can do 16 bit, High Dynamic Range, 6K and 8K: does that mean we need it? Here's where to start in the debate

The future of TV isn't about resolution but immersion. Netflix wants to take us bigger and wider

While 4K is becoming commonplace, and even 8K is obtainable, the latest medium format digital cameras from Phase One allow timelapse shooting at 10K resolution

8K is so last month. How about 19K?

Published in Technology & Computing

Fancy a video camera with 200 Megapixels?

The Peril of 4K: Our Craft is Being Threatened!

Published in Business

4K resolution images enable plenty of post-camera hanky-panky.  Shooters embracing very high-resolution cameras must be aware of the downstream perils and threats to the craft that can pop up around them.

When cameras are Good Enough

Published in Technology & Computing

Have cameras reached the point where we need to be looking beyond resolution to judge their film-making abilities?

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