RedShark News

AJA CION Shipping date announced

Published in Production

AJA's CION Production Camera will ship this year

Pre-NAB Rumor: Canon's 4K C200 & C400

Published in Production

We heard this rumor before, but if recent reports can be believed, NAB could bring two new entries into Canon's Cinema EOS camera line.

Is this the starting gun for 4K broadcasting?

Published in Studio & Broadcast

 Some slightly twisted logic here, but we think the end of the beginning for HD might signal the beginning of the end of it as well

4K becomes an impulse buy

Published in Business

When people said 4K will never catch on, we disagreed. When they said that 4K televisions will be unaffordable for years, we begged to differ

REDRAY is real. Pictures are stunning

Published in Studio & Broadcast

REDRAY promises high quality 4K delivery and even streaming, and for the first time, we've seen the results

How to make HD look like 4K

Published in Post & VFX

HD can look like 4K if you make it the right way, and if you realise that 4K actually isn't that big a step up...

As if $8995 production models on show in Amsterdam weren't enough, AJA stokes excitement for its upcoming CION 4K camera with a showreel of beautiful, ungraded footage.

While the rest of the top tier television manufacturers are dropping prices of their 4K/UHD televisions, LG aims to trump the competition with the world's first OLED 4K television and a massive pre-release price cut.

Sony FS700 can now use the Odyssey 7Q as a 4K recorder

Published in Production

I wrote before about the FS700 and how it was possibly the cheapest route to get to 4K at the time. You can read that article [here]. I was thinking of course about the Sony HXR-IFR5 interface unit and AXS-R5 Recorder combo but now another intriguing and unexpected option has surfaced, the Convergent Designs Odyssey 7Q

Just because we can do 16 bit, High Dynamic Range, 6K and 8K: does that mean we need it? Here's where to start in the debate

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