RedShark News

Is HDMI OK for 4K?

Published in Technology

All this talk of 4K, high frame rate, 3D, and ever more precision and information in video signals is a good thing, right? Well, yes, but at some point, an engineering solution has to be designed to let it happen, and there's reason to believe we might be getting a bit ahead of ourselves

RED's NAB showreel and the philosophy of movie cameras

Published in Technology

When your showreel looks as good as this, you really don't have anything to prove. You don't have to convince anyone that your kit is good enough for the movies, because your showreel is the movies

The most important marketing gimmick of the year

Published in Distribution

Sony’s 4K content delivery system is still taking shape. The stopgap solution: 4K mastered Blu-rays, which isn’t exactly an innovation. Here’s why it’s newsworthy...

Canon 1Dc: Where does it fit now?

Published in Production

The Canon 1DC is a curious camera. Based on a top-end DSLR design, with essentially only some additional firmware it becomes a 4K camcorder as well. But where does it fit into the increasingly complex matrix of options around high res, high dynamic range (i.e. RAW) devices that are available today at approximately affordable prices?

Here are some fascinating things that we learned from our sessions at London's Broadcast Video Expo

This is intriguing. Aptina, known to be a sensor supplier to Nikon, has made a new 4K sensor. And it's available to anyone!

First short film on F55 - Made for European Launch

Published in Technology

We were a little bit underwhelmed when we saw the first footage from the F55, not because there's anything wrong with the camera - far from it;  but because it was shot incredibly flat, and we kind of expected something a bit more eye-catching than that. The whole experience set us off on what was essentially a rant about how you shouldn't use YouTube or Vimeo to judge the quality of a camera

UK sees the biggest ever order for 4K hire equipment

Published in Business


Procam, a UK-based hire company, has shown a huge commitment to 4K by placing the biggest ever order for equipment by a hire company with Sony

First HEVC 4K broadcasts take place

Published in Articles

HEVC is real! The first live Ultra HD transmissions involving the HEVC codec have taken place with SES, Harmonic and Broadcom combining to squeeze the signal down into 20Mbit/s.

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

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