RedShark News

Kodak spin-off launches CMOS sensor

Published in Technology & Computing

While the Kodak moment may be firmly a thing of the past, at least part of its business is still going strong: sensor manufacturer (and Digital Bolex supplier) Truesense was spun off just before the bankruptcy of its parent and has just released its first 4K-capable CMOS sensor amongst other things.

The true meaning of 4K

Published in Technology & Computing

4K isn't just a consumer phenomenon. It's a term that's been in use in the film making community for at least ten years. And it has a very precise definition that is different to what the consumer companies would have us believe

Sony bring 4K World Cup to a London Cinema

Published in Studio & Broadcast

Sony is filming three of the World Cup games in 4K and now it has been announced that two of the three games will be shown to an invited audience in a London VUE cinema (Westfield near Shepherds Bush)

Primary storage: not a place to go cheap

Published in Production

Barry Braverman on why he’s quite so impressed with the CalDigit Thunderbolt 2 RAID - HDD.

You simply have to be amazed at current consumer TV technology.

It dawned on me just the other day: we are living in the future. There is so much innovation and new technology around us that it no longer feels like we're merely living in the present. It's as if we're in a science fiction movie where we've been transported forward by ten or twenty years

Intel's bold bid for the living room 4K TV

Published in Business

Wired has just published an article about Intel's set top box and speculates whether it might be capable of 4K.

Well, it's actually more than speculation. It seems likely to us that at least one version of the STB (and perhaps there will only be one version) will sport a 4K capability.

Despite the frivolous nature of the Eurovision Song Contest, the EBU is does work that is beneficial to broadcasters across the world

How the finance industry views developments at NAB

Published in Business

Now that the dust has settled and heads are clear after the industry’s annual jaunt to Vegas, Azule Finance’s Peter Savage reflects on this year’s show that bought the future into focus

We were a little bit underwhelmed when we saw the first footage from the F55, not because there's anything wrong with the camera - far from it;  but because it was shot incredibly flat, and we kind of expected something a bit more eye-catching than that. The whole experience set us off on what was essentially a rant about how you shouldn't use YouTube or Vimeo to judge the quality of a camera

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