With the acquisition of Eyeon Fusion, Blackmagic is poised to be a major player in VFX and Compositing
In part 2 of this series, experienced VFX Supervisor HaZ looks at the right and wrong ways to approach studios when you're looking for work
If you've ever shot material on a Canon DSLR and viewed the results in Quicktime on a Mac, chances are you've noticed that things look perhaps a little more contrasty than you'd intended. Phil Rhodes not only looks at why this happens and the means of avoiding it, but maintains that it is a real and genuine technical issue and it shouldn't be ignored.
Real time multi-camera operation can give your productions a big speed boost
Have you ever thought about the close connection between electric guitars and modern post production techniques? It's just possible that you haven't. After all, resemblance between a Marshall amplifier and DaVinci colour grading console is minimal, to say the least
A cloud based studio? Yes it’s possible and is already happening
Everyone knows about Boris Effects. And, if you're old enough, you'll remember that in the mid to late 90s, it was suddenly possible to create amazing effects and transitions on the slow and clunky NLEs of the time - that looked like they cost a million dollars to produce